"I Would Be True" by George Wright had its release date on March 26, 1957. The duration of This song is about 3 minutes long, at 3:07. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in George Wright's "Hymns That Live" album is number 8 out of 14. In terms of popularity, I Would Be True is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of I Would Be True by George Wright to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Huckleberry Duck | David Carroll & His Orchestra | C Minor | 6 | 5A | 167 BPM | ||
| Brazil | George Wright | G Major | 4 | 9B | 105 BPM | ||
| Brass Buttons and Broken Rules | The Temporal Orchestra | F Minor | 4 | 4A | 119 BPM | ||
| Love Theme From Hawaii | Bernstein, Hugo Winterhalter | G Major | 3 | 9B | 112 BPM | ||
| Beautiful Dreamer | Annunzio Paolo Mantovani | C Major | 2 | 8B | 73 BPM | ||
| Jesus Of Nazareth | Alfred Newman | A♭ Minor | 2 | 1A | 77 BPM | ||
| Mississippi Mud | George Wright | C Major | 5 | 8B | 112 BPM | ||
| Luces en el Puerto | DCO | B♭ Major | 3 | 6B | 118 BPM | ||
| Sketch of a Daddy | Haydn Wood, Slovak Radio Symphony Orchestra, Adrian Leaper | F Major | 1 | 7B | 115 BPM | ||
| モア | カーメン・キャバレロ | A♭ Major | 4 | 4B | 77 BPM | ||
| Suite for Variety Orchestra: III. Dance No. 2 | Dmitri Shostakovich, Singapore Symphony Orchestra, Andrew Litton | A♭ Major | 1 | 4B | 70 BPM | ||
| Bakit Mo Ako Pinaluluha (Why Do You Make Me Cry) | Leopoldo Silos | B♭ Minor | 2 | 3A | 90 BPM | ||
| Waltzing In The Clouds | Victor Silvester and his Ballroom Orchestra | A♭ Major | 0 | 4B | 93 BPM | ||
| Melody of Spain | Hugo Winterhalter | F Major | 5 | 7B | 124 BPM | ||
| The Sidewalks of New York | Wurlitzer 146 Carousel Organ | G Major | 5 | 9B | 95 BPM | ||
| ウイーンの森の物語 | Orchestra Marco Mantovani | F Major | 1 | 7B | 85 BPM | ||
| Repentes | Armonias | A Major | 2 | 11B | 144 BPM | ||
| Westminster Waltz | Robert Farnon, Vernon Handley, BBC Concert Orchestra, Martin Loveday | D Major | 1 | 10B | 174 BPM | ||
| Christine In Hotel Corridor | Original Soundtrack | A Major | 1 | 11B | 168 BPM | ||
| Jalousie (Instrumental) | Patrick Elkan | F Major | 3 | 7B | 120 BPM | ||
| Militant Beauty | Danke Timi Briggs | B♭ Major | 2 | 6B | 152 BPM | ||
| I Enjoy Being A Girl (Quickstep) | Victor Silvester | B♭ Major | 3 | 6B | 101 BPM | ||
| April In Portugal | Annunzio Paolo Mantovani | C Major | 3 | 8B | 121 BPM | ||
| Main Title - From Rio Grande, 1950 | John Wayne, Victor Young | A♭ Major | 6 | 4B | 106 BPM | ||
| 8 1/2: Carlotta's Galop | Nino Rota, Studio Orchestra | B♭ Major | 3 | 6B | 91 BPM |