On July 18, 2008, the song "Traditional: Git On Board Li'l Children" was released by Brown, Paul Robeson. With This song being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 170 in the song's album "Paul Robeson: The Complete EMI Sessions 1928-1939". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Traditional: Git On Board Li'l Children is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Traditional: Git On Board Li'l Children by Brown, Paul Robeson having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Delibes: Coppélia, Act I: No. 1, Valse | Léo Delibes, Jean-Baptiste Mari, Orchestre de l'Opéra National de Paris | E♭ Major | 1 | 5B | 143 BPM | ||
| We Are Forever Young | Romero Of Clika One, Brown | B Minor | 9 | 10A | 76 BPM | ||
| All My People (Instrumental Mix) | Shana Loans, Annie C., Brown | B Major | 8 | 1B | 84 BPM | ||
| Westminster Waltz | Robert Farnon | D Major | 3 | 10B | 76 BPM | ||
| Toot Suite: I. Allègre | Claude Bolling | A Minor | 3 | 8A | 112 BPM | ||
| Pineapple Rag / Gladiolus Rag - From "The Sting" Soundtrack | Marvin Hamlisch | B♭ Major | 5 | 6B | 177 BPM | ||
| Merry Go Round Music: (Listen To The Mockingbird/ Darling Nellie Gray/ Turkey In The Straw) | Marvin Hamlisch | C Major | 6 | 8B | 93 BPM | ||
| Zip a Dee Doo Dah | Tony Fenelon | F Major | 3 | 7B | 140 BPM | ||
| Intro | Piazo, Brown | C Minor | 9 | 5A | 153 BPM | ||
| Canal Street Blues | The Dukes Of Dixieland | E♭ Major | 4 | 5B | 155 BPM | ||
| Prelude and Overture | Alfred Newman, Lee Herschberg | B♭ Major | 3 | 6B | 88 BPM | ||
| Cakewalk | Nigel Hess, Royal Shakespeare Company | C Major | 4 | 8B | 181 BPM | ||
| Live and Let Die Suite: IV. Baron Samedi's Dance of Death | George Martin, Berlin Music Ensemble, Craig Leon | F Minor | 6 | 4A | 112 BPM | ||
| The Entertainer / Rag Time Dance - From "The Sting" Soundtrack | Marvin Hamlisch | F Major | 5 | 7B | 95 BPM | ||
| Ascunsion | Ennio Morricone | D Major | 5 | 10B | 115 BPM | ||
| Mission Impossible - Lalo Schifrin Version / Remastered 1996 | Billy May, Time-Life Orchestra | C Minor | 3 | 5A | 94 BPM | ||
| Jah Is My salvation | Rasta Pacey, President, Brown | F Minor | 8 | 4A | 165 BPM | ||
| チキ・チキ・バン・バン | Orchestra Marco Mantovani | B♭ Major | 4 | 6B | 118 BPM | ||
| Don't Bring Lulu | Billy Murray, Rose, Brown, Henderson | F♯ Major | 4 | 2B | 108 BPM | ||
| Home on the Range | Percy Faith | G Major | 3 | 9B | 84 BPM | ||
| Struggling Spirit | Each One Teach One, Brown | E♭ Minor | 8 | 2A | 91 BPM | ||
| The Washington Post March | John Philip Sousa, Royal Artillery Band, Keith Brion | F Major | 2 | 7B | 119 BPM | ||
| Overture / Audition | Danny Carroll, 42nd Street Ensemble | F Minor | 7 | 4A | 94 BPM | ||
| I Was In Vancouver | George Fenton | E Major | 1 | 12B | 120 BPM | ||
| Stand Up | Andrew Phelan & Origami, Brown | D♭ Major | 9 | 3B | 126 BPM |