島 翔太朗's 'FFVII REMAKE: Tightrope' had a release date set for 1997. The duration of This song is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. FFVII REMAKE: Tightrope's duration is considered a little bit shorter than the average duration of a typical track. The song is number 50 out of 156 in FINAL FANTASY VII REMAKE Original Soundtrack by SQUARE ENIX MUSIC. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. Based on our statistics, FFVII REMAKE: Tightrope's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of FFVII REMAKE: Tightrope by 島 翔太朗 is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Final Fantasy IV: The Red Wings – Kingdom of Baron | Arnie Roth, Distant Worlds Philharmonic Orchestra | F Minor | 8 | 4A | 110 BPM | ||
| Night & Light - Destruction - | テイルズ オブ シリーズ SOUND TEAM, Bandai Namco Game Music | F Major | 5 | 7B | 80 BPM | ||
| Battle: The Warrior | Naoshi Mizuta | D Minor | 2 | 7A | 88 BPM | ||
| Anti HERO | コーエーテクモサウンド | F Major | 5 | 7B | 100 BPM | ||
| Staunch Opponent - ARISE version | テイルズ オブ シリーズ SOUND TEAM, Bandai Namco Game Music | F Major | 5 | 7B | 80 BPM | ||
| The Deep End - Rock Titan's Rage- | Yoko Shimomura | A♭ Minor | 7 | 1A | 153 BPM | ||
| Melphie and Sonon - FF7R Ver. | 島 翔太朗, Nobuo Uematsu | A Major | 9 | 11B | 78 BPM | ||
| Howling Abominations | Takeharu Ishimoto | A Minor | 9 | 8A | 160 BPM | ||
| Final Fantasy VII Remake: Those Chosen by the Planet – Destiny Comes | Arnie Roth, Distant Worlds Philharmonic Orchestra | F Major | 4 | 7B | 129 BPM | ||
| A Prosecutor, Reborn | Hiromitsu Maeba | B♭ Major | 3 | 6B | 150 BPM | ||
| 「破滅への使者」 from FINAL FANTASY IX - arrange | 河盛慶次 | C Major | 6 | 8B | 135 BPM | ||
| 「Maybe I'm a Lion」 from FINAL FANTASY VIII - arrange | 河盛慶次 | A♭ Major | 10 | 4B | 130 BPM | ||
| Character Select -NT- | 石元丈晴 | G Major | 8 | 9B | 150 BPM | ||
| Kanzuki Estate -Japan Stage- | Capcom Sound Team | B♭ Major | 9 | 6B | 140 BPM | ||
| Fort Condor - Press the Advantage! - FF7R Ver. | 植松 伸夫, 鈴木 克崇 | A Major | 9 | 11B | 78 BPM | ||
| Tales of ARISE | テイルズ オブ シリーズ SOUND TEAM, Bandai Namco Game Music | F Major | 5 | 7B | 80 BPM | ||
| 至高神ブーニベルゼ | 鈴木光人 | F Major | 7 | 7B | 80 BPM | ||
| FFVII REMAKE: Fires of Resistance | 島 翔太朗 | E Minor | 9 | 9A | 82 BPM | ||
| Furycane, Vitality Primal - Part 2 | Tsutomu Narita | F Major | 1 | 7B | 90 BPM | ||
| The Dark Colossus Destroys All | SQUARE ENIX MUSIC | B♭ Minor | 9 | 3A | 110 BPM | ||
| DUEL!! | 上松範康 | D Major | 6 | 10B | 86 BPM | ||
| The Bladed Tactician | Yasunori Mitsuda, TADAYOSHI MAKINO | E Minor | 8 | 9A | 150 BPM | ||
| Ryutaro Naruhodo - Objection! | Yasumasa Kitagawa | G Minor | 5 | 6A | 119 BPM | ||
| ”Fight With Seymour” from FINAL FANTASY Ⅹ - Arrangement | 石元丈晴 | F♯ Minor | 9 | 11A | 140 BPM | ||
| Atrocious Raid | Falcom Sound Team jdk | F♯ Minor | 9 | 11A | 160 BPM |