"The Final Competition" by Bryce Dessner had its release date on October 17, 2024. The duration of This song is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. The Final Competition's duration is considered a little bit shorter than the average duration of a typical track. This song is part of We Live in Time (Original Soundtrack) by Bryce Dessner. The song's track number on the album is #16 out of 18 tracks. In terms of popularity, The Final Competition is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since The Final Competition by Bryce Dessner has a tempo of 90 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With The Final Competition being at 90 BPM, the half-time would be 45 BPM with a double-time of 180 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| There Is No Rescue Mission | Dan Romer | A Minor | 3 | 8A | 65 BPM | ||
| Dark Matter | Jason Hill | C Major | 6 | 8B | 124 BPM | ||
| Doing Rounds | Hans Zimmer | C Major | 0 | 8B | 76 BPM | ||
| Corncrake | Jan Miserre, John Gürtler | F Major | 3 | 7B | 133 BPM | ||
| Dr March's Daughters | Alexandre Desplat | F Major | 2 | 7B | 65 BPM | ||
| Do You Believe Me? | Aaron May, David Ridley | D Minor | 0 | 7A | 79 BPM | ||
| Deal | Daniel Pemberton | C Major | 1 | 8B | 86 BPM | ||
| Memories Of Father In Harlem | Alexis Grapsas | C Major | 0 | 8B | 73 BPM | ||
| Home II | Bryce Dessner | A♭ Major | 2 | 4B | 102 BPM | ||
| What Spirit! | Nick Chuba | C Major | 2 | 8B | 76 BPM | ||
| Bathtime Jaffa Cakes | Bryce Dessner | D♭ Major | 1 | 3B | 90 BPM | ||
| In the World of My Breath | Aska Matsumiya | C Major | 1 | 8B | 60 BPM | ||
| El viaje de Judy | Fernando Velázquez | D♭ Major | 4 | 3B | 96 BPM | ||
| Sensory Alignment IX | Peter Sandberg | F Major | 0 | 7B | 83 BPM | ||
| Voices in the Trees | Bryce Dessner | A♭ Major | 2 | 4B | 102 BPM | ||
| Of a ghost | Max Richter | B♭ Major | 2 | 6B | 72 BPM | ||
| Passageways III: The Ancient Lake | Bryce Dessner | A♭ Major | 2 | 4B | 102 BPM | ||
| The Heart | Joy Ngiaw | G Major | 6 | 9B | 83 BPM | ||
| Remembering Those Who Came Before | Ramin Djawadi | D♭ Major | 0 | 3B | 135 BPM | ||
| A Light We Cannot See | Max Aruj, Alfie Godfrey | D Major | 2 | 10B | 115 BPM | ||
| Evelyn (What We Were We Are) | Patrick Jonsson | G Major | 3 | 9B | 95 BPM | ||
| Beyond the Noise | Jan Miserre, John Gürtler | B♭ Major | 2 | 6B | 169 BPM | ||
| San Miguel | Jordan Seigel | G Major | 0 | 9B | 136 BPM | ||
| Trudy Survives | Amelia Warner | A Minor | 1 | 8A | 92 BPM | ||
| Yang & Mika | Aska Matsumiya | C Major | 1 | 8B | 60 BPM |