"Good Morning, Midnight" by Jóhann Jóhannsson, Air Lyndhurst String Orchestra, Anthony Weeden had its release date on September 16, 2016. The duration of This song is about 3 minutes long, at 3:17. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 15 in the song's album "Orphée". In this album, this song's track order is #13. In terms of popularity, Good Morning, Midnight is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Good Morning, Midnight by Jóhann Jóhannsson, Air Lyndhurst String Orchestra, Anthony Weeden having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Green Shoots | Rael Jones, Anthony Weeden | E Minor | 0 | 9A | 54 BPM | ||
| Boy About 10 | Harold Budd | E♭ Minor | 1 | 2A | 66 BPM | ||
| Rjóður | Snorri Hallgrímsson | D♭ Minor | 0 | 12A | 98 BPM | ||
| Study For Player Piano (II) | Ólafur Arnalds | A Minor | 1 | 8A | 63 BPM | ||
| Afterwards | Peter Sandberg | D♭ Minor | 0 | 12A | 180 BPM | ||
| Polaris I | Peter Sandberg | C Major | 0 | 8B | 76 BPM | ||
| and she was | Carlos Cipa | E Minor | 0 | 9A | 100 BPM | ||
| Continuum I | Jane Antonia Cornish, Decoda | F♯ Minor | 1 | 11A | 90 BPM | ||
| Epilogue | Dario Marianelli | E Minor | 1 | 9A | 100 BPM | ||
| Duvet | Niklas Paschburg, Andy Barlow | F♯ Major | 2 | 2B | 73 BPM | ||
| Close Encounter | Penguin Cafe | E♭ Major | 3 | 5B | 89 BPM | ||
| No One Knows | Neslihan Atagoz, Telepatia | C Major | 2 | 8B | 85 BPM | ||
| Beethoven 250 | A Winged Victory for the Sullen | E Minor | 2 | 9A | 94 BPM | ||
| Transmutation at a Distance | Jóhann Jóhannsson | A♭ Major | 5 | 4B | 126 BPM | ||
| Running Through Woods | Rael Jones, Anthony Weeden | D♭ Major | 2 | 3B | 134 BPM | ||
| The Doldrums | Jóhann Jóhannsson, Rutger Hoedemaekers | B Minor | 1 | 10A | 100 BPM | ||
| Precious to Me | Rael Jones, Anthony Weeden | E Minor | 1 | 9A | 80 BPM | ||
| This Black Holes Dark Heart | Clint Mansell | C Major | 1 | 8B | 75 BPM | ||
| All In Circles | Shida Shahabi | A♭ Major | 1 | 4B | 146 BPM | ||
| A Summer By The Sea I | Library Tapes, Julia Kent | D Major | 1 | 10B | 69 BPM | ||
| Lamellophone and the Gulf of Mexico | Slow Meadow | B Major | 1 | 1B | 71 BPM | ||
| Violin Solo No. 1 | Peter Broderick | G Minor | 1 | 6A | 95 BPM | ||
| Lac des Arcs | Julia Kent | A Minor | 3 | 8A | 147 BPM | ||
| Scrapes | Bing & Ruth | D♭ Major | 2 | 3B | 80 BPM | ||
| Ernetti | Greg Haines | B♭ Major | 3 | 6B | 111 BPM |