Carl Rütti, Cambridge Voices, Ian Moore, Sophie Miller's 'Epilogue: Stiller Kanon' had a release date set for 1998. The duration of This song is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Epilogue: Stiller Kanon's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 9 in Carl Rütti: Veni Creator Spiritus (Motet for 40 Voices) by Carl Rütti, Cambridge Voices, Ian Moore, Anne Page. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Epilogue: Stiller Kanon's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Epilogue: Stiller Kanon by Carl Rütti, Cambridge Voices, Ian Moore, Sophie Miller is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suite für Hornvieh, Op. 110: Tanz der Ochsen | Matthias Kofmehl, Carl Rütti, Hans-Jürg Sommer | B Major | 0 | 1B | 134 BPM | ||
| Mass for unaccompanied double choir: IV. Sanctus | Frank Martin, RIAS Kammerchor, Daniel Reuss | D Major | 1 | 10B | 85 BPM | ||
| Deep River | Christelijk koor Jigdaljahu | E♭ Minor | 1 | 2A | 131 BPM | ||
| All-night Vigil, Op. 37: No. 6, Rejoice, O Virgin "Ave Maria" | Sergei Rachmaninoff, MDR Rundfunkchor, Risto Joost | D Major | 2 | 10B | 102 BPM | ||
| Johann von Gardner, arr: Joulun valovirrelmä (Exapostilarion) | Lumen Valo | E Major | 1 | 12B | 128 BPM | ||
| Lord, Now Lettest Thou Thy Servant Depart | Pavel Chesnokov, PaTRAM Institute Male Choir, Vladimir Gorbik | C Major | 1 | 8B | 69 BPM | ||
| As torrents in summer | Edward Elgar, Phoenix Chorale, Christopher Gabbitas | B♭ Minor | 1 | 3A | 91 BPM | ||
| Hymn of the Pearl | Kevin Anthony, BYU Singers, Andrew Crane | E♭ Minor | 1 | 2A | 131 BPM | ||
| Michael Praetorius: In dulci jubilo | Lumen Valo | F♯ Major | 2 | 2B | 85 BPM | ||
| Christus Natus Est | Margaret Rizza, Kevin Mayhew Ltd | E Minor | 2 | 9A | 142 BPM | ||
| Orison: Now the Day Is Over | The Compline Choir | A♭ Major | 1 | 4B | 75 BPM | ||
| SMS: Langweiliges | Matthias Kofmehl, Carl Rütti, Hans-Jürg Sommer | B♭ Minor | 0 | 3A | 70 BPM | ||
| Psalm 5: 1, 2 en 7 | Christelijk koor Jigdaljahu, Mark Brandwijk, Marco den Toom, Bert Noteboom, Lennart Morée, Arjan Wouters | C Major | 2 | 8B | 75 BPM | ||
| Taverner: Missa Corona spinea - 10. Agnus Dei 2 | John Taverner, Peter Phillips, The Tallis Scholars | E♭ Major | 1 | 5B | 65 BPM | ||
| Lord, May Your Word Be Dear to Me SHZ 244 | Laestadian Lutheran Church, Liisa Keranen, Viena Kontkanen | B♭ Major | 0 | 6B | 129 BPM | ||
| Acclamatio | Damijan Močnik, Westminster Williamson Voices, James Jordan | G Major | 2 | 9B | 82 BPM | ||
| Holst: 6 Choruses, Op. 53: No. 6, Before Sleep | Gustav Holst, Baccholian Singers of London, English Chamber Orchestra | C Major | 1 | 8B | 111 BPM | ||
| Virga Jesse, WAB 52 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Minor | 1 | 7A | 136 BPM | ||
| The Mass: Kyrie | Patrick Cassidy, Laude, David Harris, Christoph Bull | D Minor | 1 | 7A | 75 BPM | ||
| Exultate Justi | Lodovico Viadana, University of Saskatchewan Greystone Singers | A♭ Major | 3 | 4B | 87 BPM | ||
| A solis ortus cardine | Voci di Sorelle | E♭ Major | 1 | 5B | 87 BPM | ||
| Can We Sing the Darkness to Light? | Kyle Pederson, Transept, Timothy J. Campbell, Paul Sánchez, Doosook Kim, Robert Erhardt | D♭ Major | 1 | 3B | 80 BPM | ||
| Echoes of the Lost World | Darius Lim, Voices of Singapore Children’s Choir, Gabriel Hoe, Richard Ter, Kangren Chen, Julian Li | A Minor | 2 | 8A | 71 BPM | ||
| All-Night Vigil, Op. 37: VIII. Praise the Name of the Lord | Sergei Rachmaninoff, Phoenix Chorale, Kansas City Chorale, Charles Bruffy, Joseph Warner | E Minor | 4 | 9A | 94 BPM | ||
| Mass in D Major, Op. 86: V. Benedictus | Antonín Dvořák, Helga Hein-Guardian, Verena Keller, Arthur Janzen, Hartmut Hein, Jorg Zettler, Motettenchor Stuttgart, Günter Graulich | G Major | 1 | 9B | 136 BPM |