Ruben Rada's ' "Que Pasa Con la Adolescencia" was released on its scheduled release date, March 7, 1998. With this song being around four minutes long, at 4:25, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Tengo un Candombe para Gardel". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Uruguay. Based on our statistics, Que Pasa Con la Adolescencia's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Que Pasa Con la Adolescencia by Ruben Rada having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dulzura Distante | Ana Prada | B♭ Minor | 5 | 3A | 138 BPM | ||
| Ayer Te Vi | Los Auténticos Decadentes, Ruben Rada | A Major | 8 | 11B | 127 BPM | ||
| Sugus Azules | Soy Rada and the Colibriquis, Niño Monja | F Major | 2 | 7B | 169 BPM | ||
| Saravá | Duratierra | F Minor | 6 | 4A | 94 BPM | ||
| Mapa Tesoro | Nicolas Ibarburu | E Major | 7 | 12B | 93 BPM | ||
| Rústicos | La Trasnochada | A Minor | 8 | 8A | 93 BPM | ||
| Hispano | Jorge Fandermole | D Major | 4 | 10B | 150 BPM | ||
| Famatina | TOCH | F Minor | 6 | 4A | 94 BPM | ||
| No Me Queda Más Tiempo | Cumbia Club, Ruben Rada, El Club de la Cumbia | E♭ Major | 7 | 5B | 81 BPM | ||
| La Costumbre | Arbolito | G Major | 8 | 9B | 97 BPM | ||
| A Redoblar | Rubén Olivera, Mauricio Ubal | E Minor | 4 | 9A | 99 BPM | ||
| El Rastrillo | Cuarteto Ricacosa | C Major | 4 | 8B | 115 BPM | ||
| Visionarios | Julieta Rada | F♯ Minor | 7 | 11A | 88 BPM | ||
| Blumana | Ruben Rada | D Minor | 9 | 7A | 104 BPM | ||
| Cora | Los Mangrulleros | A Major | 6 | 11B | 122 BPM | ||
| El Trueque | Claudio Taddei | E Minor | 7 | 9A | 98 BPM | ||
| Brujería | Trío Ventana | B Major | 7 | 1B | 95 BPM | ||
| Uruguay | Rossana Taddei | A Major | 4 | 11B | 91 BPM | ||
| Botija de Mi País | Eduardo Mateo, Ruben Rada | F♯ Major | 8 | 2B | 101 BPM | ||
| Candombes Enganchados | Saltimbanquis | C Major | 9 | 8B | 124 BPM | ||
| Los Días Sin Memoria (Canción Final) [En Vivo] | La Trasnochada | C Major | 6 | 8B | 111 BPM | ||
| Pa ' la Gramilla | Edu Lombardo | F Major | 9 | 7B | 92 BPM | ||
| Río marrón | Jorge Fandermole | B Minor | 4 | 10A | 76 BPM | ||
| Candombe para Bob Marley | Ruben Rada, Osvaldo Fattoruso, Beto Satragni, Ricardo Nolé, Ricardo Lew | B♭ Minor | 7 | 3A | 128 BPM | ||
| Alegre Caballero | Ruben Rada | B♭ Major | 9 | 6B | 113 BPM |