Giuseppe Concone, Claudio Colombo's '20 Études chantantes, Op. 30: XX. Extension et Vélocité' had a release date set for November 22, 2022. With This song being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Giuseppe Concone, Claudio Colombo's "Giuseppe Concone: 20 Études chantantes, Op. 30" album is number 20 out of 20. On top of that, Switzerland appears to be the country where this track was created. 20 Études chantantes, Op. 30: XX. Extension et Vélocité is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 20 Études chantantes, Op. 30: XX. Extension et Vélocité by Giuseppe Concone, Claudio Colombo to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Faustì | Cecilia Tuomikoski | D♭ Minor | 0 | 12A | 74 BPM | ||
| Battement Tendu with Plié Roudnev, Vol. 2 | Marina Stolyar, Dmitri Roudnev | A Minor | 1 | 8A | 77 BPM | ||
| Cornovaille I'm Coming | Maurice Dehors | A Minor | 2 | 8A | 100 BPM | ||
| Serenade Elegia (Révérence) | Trisha Wolf | B♭ Minor | 0 | 3A | 76 BPM | ||
| Intermezzo (What Love Feels Like) | Daniel O'Loughlin | B♭ Minor | 0 | 3A | 76 BPM | ||
| Immersive Liquid | Lucia Montagnana | D♭ Major | 0 | 3B | 131 BPM | ||
| Keyboard Sonata in C major "La caccia", K. 159, L. 104 | Richard Settlement | A♭ Major | 1 | 4B | 92 BPM | ||
| Without Fear | Bruce Oscar | E♭ Major | 0 | 5B | 73 BPM | ||
| Matilda Fabulous | Sofia Ingeborg | D Major | 0 | 10B | 168 BPM | ||
| Curva resplandeciente | Viaje Nocturno | B♭ Minor | 0 | 3A | 76 BPM | ||
| Departure (From "Final Fantasy Crystal Chronicles") - Piano Version | Moisés Nieto | B♭ Minor | 0 | 3A | 76 BPM | ||
| Piano Sonata No. 17 in B flat major, II. Adagio, KV 570 | Opus Piano | A♭ Major | 7 | 4B | 90 BPM | ||
| Adagio Giselle | Sissonne Music | A♭ Major | 0 | 4B | 63 BPM | ||
| 50 Lessons, No. 14 in E Minor, Op. 9 (Melody Added) | Giuseppe Concone, Xavier Palacios | A Major | 1 | 11B | 68 BPM | ||
| Marsala In Suprema | Samantha Penn | A♭ Major | 0 | 4B | 91 BPM | ||
| 36 Originaltänze, D.365: No.31 in C Major and No.32 in F Major | Songs of Birdland, Mu Dimon, Classical of Birdland | B♭ Major | 1 | 6B | 92 BPM | ||
| Battement Tendu Jeté 2/4 | The Ballet Pianist | E Major | 0 | 12B | 114 BPM | ||
| Sweet and Low Down (Grand Battement) | Trisha Wolf | B♭ Minor | 0 | 3A | 76 BPM | ||
| Warm up 2/4 64 Counts | Marina Stolyar | B Minor | 2 | 10A | 112 BPM | ||
| Peak Number Twelve | Tom Adorno | A Major | 0 | 11B | 106 BPM | ||
| なごみのワルツ | nasa16 | A Major | 2 | 11B | 200 BPM | ||
| Innocent Situation | Ksusha Kids | E Minor | 1 | 9A | 128 BPM | ||
| Mourning | Jochen Schlierkamp | C Major | 0 | 8B | 88 BPM | ||
| Govindo Jeje | Paul Kronberg | F♯ Major | 0 | 2B | 169 BPM | ||
| Tendu E Major (64) | Jack Lloyd O'Donnell, Wireless Lovebird | A♭ Major | 0 | 4B | 69 BPM |