"攘夷" by Naoki Sato had its release date on May 26, 2010. The duration of This song is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. 攘夷's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "NHK大河ドラマ 龍馬伝 オリジナル・サウンドトラック Vol.2". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Japan. In terms of popularity, 攘夷 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 攘夷 by Naoki Sato having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fob_01 | Shiro SAGISU, Akira Ifukube | B♭ Minor | 3 | 3A | 90 BPM | ||
| メインテーマ・オブ・華麗なる一族 ~For TV Edition~ | Takayuki Hattori | A Minor | 8 | 8A | 123 BPM | ||
| オペ室の悪魔 | Hideakira Kimura | F Major | 0 | 7B | 120 BPM | ||
| Pedigree. | Masaru Yokoyama | D Major | 2 | 10B | 88 BPM | ||
| 少年激覇メインテーマ | Eishi Segawa | C Major | 8 | 8B | 150 BPM | ||
| 旅の幕開け | Kenichiro Suehiro | A Minor | 7 | 8A | 130 BPM | ||
| Ending | Akihiro Manabe | A Minor | 3 | 8A | 81 BPM | ||
| All Men Can Be Broken | Atticus Ross, Leopold Ross, Nick Chuba | A♭ Minor | 1 | 1A | 173 BPM | ||
| Strike | Kenji Kawai | D♭ Major | 7 | 3B | 120 BPM | ||
| 11174_rhythm+melody_demo | Shiro SAGISU, Akira Ifukube | F♯ Minor | 6 | 11A | 134 BPM | ||
| 昨天的我 | 健康合作社 | A Minor | 3 | 8A | 81 BPM | ||
| 全てを失った日 | Hideakira Kimura | G Major | 3 | 9B | 100 BPM | ||
| Bow of Hope | Masaru Yokoyama | D Major | 2 | 10B | 88 BPM | ||
| Rogue Agent | Timothy Shortell | B Minor | 7 | 10A | 152 BPM | ||
| 語られることのない神話 ~ 潜入 | 藤澤慶昌 | D Major | 3 | 10B | 133 BPM | ||
| Asticassia | Takashi Ohmama | E Major | 3 | 12B | 89 BPM | ||
| 出港!真田丸 | Takayuki Hattori | C Major | 3 | 8B | 139 BPM | ||
| イチケイのカラス | Takayuki Hattori | F♯ Minor | 6 | 11A | 121 BPM | ||
| アークエンジェルのクルー達 | Toshihiko Sahashi | G Major | 3 | 9B | 86 BPM | ||
| Kodoku - Why We Fight | Takashi Ohmama, Kodo, Stan Li, György Gulyás Nagy, Bernhard Melbye Voss, Vienna Synchron Orchestra | G Major | 5 | 9B | 79 BPM | ||
| Ture Nature of Kaya-chan | KOHTA YAMAMOTO | A Minor | 3 | 8A | 81 BPM | ||
| ミレニアム出動 | Toshihiko Sahashi | A Minor | 3 | 8A | 114 BPM | ||
| Family Love | Akira Senju | G Major | 1 | 9B | 119 BPM | ||
| Oblivion | Keishi Hirano | B♭ Minor | 3 | 3A | 65 BPM | ||
| Steel Axe | PROJECT ACES, Bandai Namco Game Music | A Minor | 3 | 8A | 81 BPM |