"Smile" by Lonestar had its release date on 1999. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Lonestar's "Lonely Grill" album is number 10 out of 12. On top of that, United States appears to be the country where this track was created. Smile is average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Smile by Lonestar to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Never Love You Enough | Chely Wright | A♭ Major | 6 | 4B | 140 BPM | ||
| Stay | Sugarland | E Major | 3 | 12B | 136 BPM | ||
| A Real Fine Place to Start | Sara Evans | A♭ Major | 8 | 4B | 121 BPM | ||
| Man To Man - Album Version/Remix | Gary Allan | B♭ Major | 9 | 6B | 112 BPM | ||
| When You Say Nothing At All | Alison Krauss & Union Station | E♭ Major | 2 | 5B | 172 BPM | ||
| You're Gonna Miss This | Trace Adkins | A♭ Major | 7 | 4B | 155 BPM | ||
| Love Won't Let Me | Jason Michael Carroll | G Major | 7 | 9B | 78 BPM | ||
| If Heaven Wasn't So Far Away | Justin Moore | B Major | 7 | 1B | 74 BPM | ||
| Cheatin' | Sara Evans | A Major | 6 | 11B | 79 BPM | ||
| Last Call | Lee Ann Womack | F♯ Major | 6 | 2B | 79 BPM | ||
| She Is His Only Need | Wynonna | F♯ Major | 4 | 2B | 132 BPM | ||
| Single White Female | Chely Wright | F♯ Major | 7 | 2B | 178 BPM | ||
| Don't Close Your Eyes | Keith Whitley | G Major | 2 | 9B | 78 BPM | ||
| You Can Let Go | Crystal Shawanda | G Major | 4 | 9B | 69 BPM | ||
| They Don't Understand | Sawyer Brown | G Major | 6 | 9B | 76 BPM | ||
| Lovin' You, Lovin' Me | Chris Cagle | D Major | 7 | 10B | 192 BPM | ||
| Could've Been Me | Billy Ray Cyrus | G Major | 6 | 9B | 120 BPM | ||
| Wink | Neal McCoy | E Major | 9 | 12B | 118 BPM | ||
| The Long Goodbye | Brooks & Dunn | A♭ Major | 6 | 4B | 145 BPM | ||
| The Fool | Lee Ann Womack | C Major | 3 | 8B | 80 BPM | ||
| When I Think About Angels | Jamie O'Neal | B Major | 8 | 1B | 194 BPM | ||
| I Miss You The Most | Andy Griggs | D Major | 7 | 10B | 148 BPM | ||
| You Have The Right To Remain Silent | Perfect Stranger | D Major | 4 | 10B | 164 BPM | ||
| Invisibly Shaken | Rodney Atkins | F♯ Major | 4 | 2B | 82 BPM | ||
| She's In Love | Mark Wills | F Major | 5 | 7B | 105 BPM |