"Lost Technology" by 加藤達也 had its release date on February 5, 2023. The duration of This song is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Lost Technology's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 「TRIGUN STAMPEDE」 Original Soundtrack 1, so we believe that "Lost Technology" is a single. Based on our statistics, Lost Technology's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lost Technology by 加藤達也 is Allegro (fast, quick, and bright), since this song has a tempo of 141 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| High Pressure | Shoi Miyazawa | B Minor | 8 | 10A | 86 BPM | ||
| Eye Of The Tiger | Lotus Juice | F Minor | 8 | 4A | 100 BPM | ||
| Aurax | Digital Extremes Ltd., Jason Graves | B♭ Minor | 9 | 3A | 110 BPM | ||
| Frosty Trail | HOYO-MiX, 李敬浩 | C Minor | 0 | 5A | 119 BPM | ||
| Storming New Caprica (Live) | Bear McCreary | D Major | 8 | 10B | 82 BPM | ||
| Chorus of Myriads | Wuthering Waves, 任麒霖 | A Major | 7 | 11B | 125 BPM | ||
| Dark Town | Gareth Coker | F Minor | 3 | 4A | 174 BPM | ||
| Brave Girl | Sarah Schachner | F Minor | 6 | 4A | 106 BPM | ||
| 暗視 | KOHTA YAMAMOTO | G Major | 1 | 9B | 116 BPM | ||
| Breaking the Silence | Craig Stuart Garfinkle, Eimear Noone | A Major | 5 | 11B | 140 BPM | ||
| get even | Tsuneo Imahori | B Minor | 9 | 10A | 80 BPM | ||
| Advanced Weaponry - FF7R Ver. | 島 翔太朗 | A Major | 9 | 11B | 78 BPM | ||
| Gnossienne No. 3 - orchestra version | Path to Nowhere | A Minor | 4 | 8A | 118 BPM | ||
| 芙蓉 | Taku Iwasaki | B Minor | 2 | 10A | 101 BPM | ||
| Madness | Max LL | D Major | 3 | 10B | 90 BPM | ||
| A New Foe | Olivier Deriviere, Eric Maria Couturier | B♭ Minor | 1 | 3A | 126 BPM | ||
| Hushed Blades | Brendan Angelides, Assassin's Creed | C Minor | 3 | 5A | 74 BPM | ||
| Shadar Logoth | Lorne Balfe | A♭ Major | 6 | 4B | 140 BPM | ||
| How to Arrive? | Hiroaki Tsutsumi | C Major | 10 | 8B | 160 BPM | ||
| Scourge | Ludvig Forssell | D♭ Major | 9 | 3B | 94 BPM | ||
| 殺しの匂い | Kenichiro Suehiro | B Minor | 9 | 10A | 105 BPM | ||
| SPEECH OF THE EVIL | Kenichiro Suehiro | A Minor | 3 | 8A | 59 BPM | ||
| Lucid Dreams | Vanguard Sound, M€I | A Minor | 1 | 8A | 80 BPM | ||
| 狙撃 | Kenichiro Suehiro | B Minor | 9 | 10A | 105 BPM | ||
| In Subway | Mikko Tarmia | C Major | 4 | 8B | 100 BPM |