"Mishima: VI. Closing - Arr. for Saxophone Quartet" by Philip Glass, Amstel Quartet had its release date on January 2, 2004. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Mishima: VI. Closing - Arr. for Saxophone Quartet's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 15 in Amstel Tracks by Amstel Quartet. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Based on our statistics, Mishima: VI. Closing - Arr. for Saxophone Quartet's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mishima: VI. Closing - Arr. for Saxophone Quartet by Philip Glass, Amstel Quartet is Vivace (lively and fast), since this song has a tempo of 157 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Re Bo No | Simon Zöchbauer, Federspiel | E♭ Major | 0 | 5B | 97 BPM | ||
| Gershwin / Arr. Bühl: Summertime | George Gershwin, Sharon Kam, Gregor Bühl, London Symphony Orchestra | F♯ Minor | 0 | 11A | 133 BPM | ||
| Goldberg Variations Bwv 988, Aria | Calefax Reed Quintet | G Major | 1 | 9B | 166 BPM | ||
| Bargain and Bid | Sarah Neutkens, The Dutch String Collective | E♭ Major | 1 | 5B | 116 BPM | ||
| Miroirs, M.43: No. 5, La vallée des cloches | Maurice Ravel, Hsiang Tu | E♭ Major | 0 | 5B | 97 BPM | ||
| In Nomine (2001) for bass flute, english horn, clarinet, piano, vibraphone, violin, viola and Violoncello | Georg Friedrich Haas, Ensemble Recherche | G Minor | 0 | 6A | 127 BPM | ||
| Ex Machina: Machine II (Flowing) | Marc Mellits, Donald Sinta Quartet | B♭ Major | 1 | 6B | 99 BPM | ||
| Pärt: Fratres (1991 Version for String Orchestra and Percussion) | Arvo Pärt, Paavo Järvi, Estonian National Symphony Orchestra | F Major | 1 | 7B | 180 BPM | ||
| Quatuor pour la fin du Temps: III. Abîme des oiseaux | Olivier Messiaen, Dominic Desautels | E♭ Major | 0 | 5B | 97 BPM | ||
| Invierno de Gestas | Senderos Del Destino | G Major | 5 | 9B | 80 BPM | ||
| Piano & Violoncello 6 | Irena And Vojtech Havlovi | G Minor | 1 | 6A | 65 BPM | ||
| St Petersburg Waltz | Meredith Monk, Ursula Oppens | F♯ Minor | 1 | 11A | 131 BPM | ||
| Ellis Island (Arr. for Organ by James McVinnie) | Meredith Monk, James McVinnie | A Minor | 0 | 8A | 79 BPM | ||
| Jack Montparnasse | VITMAY | E♭ Major | 0 | 5B | 97 BPM | ||
| September III | Sarah Neutkens, Nederlands Saxofoon Octet | C Minor | 0 | 5A | 81 BPM | ||
| Particles Waves | Benjamin Woodgates, Calum Huggan, Angela Wai Nok Hui | E♭ Major | 0 | 5B | 97 BPM | ||
| 3 Valses distinguées du précieux dégoûté: 2. Son binocle (Arr. for Piano Trio by Fumio Yasuda) | Erik Satie, Fumio Yasuda, Julie Läderach, Joachim Badenhorst | D Minor | 0 | 7A | 143 BPM | ||
| Le Tombeau de Couperin, M. 68: III. Menuet - Arr. for Saxophone and Accordion by MZ Duo | Maurice Ravel, MZ Duo | E♭ Major | 0 | 5B | 97 BPM | ||
| Symphony No. 3 in F Major, op. 90: Poco Allegretto | Johannes Brahms, Amstel Quartet | C Minor | 0 | 5A | 66 BPM | ||
| Dances: No. 4, Sarabande | Tõnu Kõrvits, Ksenija Sidorova, Estonian Festival Orchestra, Paavo Järvi | E♭ Major | 0 | 5B | 97 BPM | ||
| Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus | Olivier Messiaen, Lucas Debargue, Torleif Thedéen | E Major | 0 | 12B | 81 BPM | ||
| Como aceite | Gabriel Andrés Gallegos | E♭ Major | 0 | 5B | 75 BPM | ||
| I. Thème. Modéré | Olivier Messiaen, Benjamin Frith, Lucy Gould | C Minor | 0 | 5A | 84 BPM | ||
| Music for 18 Musicians: Section IIIA | Steve Reich | A Major | 4 | 11B | 107 BPM | ||
| Nebenstück | Gérard Pesson, Ensemble Recherche | C Major | 0 | 8B | 100 BPM |