Neal Morse's 'Jesus Before Pilate And The Crucifixion' had a release date set for June 5, 2019. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Neal Morse's "Jesus Christ The Exorcist: A Progressive Rock Musical" album is number 22 out of 26. On top of that, United States appears to be the country where this track was created. In terms of popularity, Jesus Before Pilate And The Crucifixion is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Jesus Before Pilate And The Crucifixion by Neal Morse to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Clock Ticks Down | Arjen Anthony Lucassen | E Minor | 7 | 9A | 155 BPM | ||
| Out In The Darkness | Martin Orford | F Major | 9 | 7B | 96 BPM | ||
| Waking Dreams - Live | Ayreon | C Major | 7 | 8B | 184 BPM | ||
| Dream Roads | Bosco Aguilar, Eric Gillette, Felix Lehrmann, Martin Motnik, Neal Morse | B♭ Major | 1 | 6B | 59 BPM | ||
| The Spring Of It All | Beyond the Bridge | E Major | 4 | 12B | 65 BPM | ||
| Push | Trevor Rabin | D Major | 8 | 10B | 135 BPM | ||
| Idlewild | Kino | D Major | 4 | 10B | 130 BPM | ||
| The Chronicle of Stolen Souls (Prologue) | Freedom To Glide | D♭ Minor | 4 | 12A | 132 BPM | ||
| Numb, Pt. 2 | Lee Abraham | G Major | 8 | 9B | 95 BPM | ||
| Eternal Light | Knight Area | A Major | 4 | 11B | 120 BPM | ||
| Your Flaws | Advent Horizon, Dave Meros, Kristen McDonald | C Major | 7 | 8B | 123 BPM | ||
| Secret Lover | Nad Sylvan | F Major | 4 | 7B | 140 BPM | ||
| All That Glitters Is Not Gold | Karmakanic | C Major | 6 | 8B | 120 BPM | ||
| Deep Water Suite III: Fires of the Sunrise | Cosmic Cathedral | A Major | 5 | 11B | 94 BPM | ||
| The Woman Of Seven Devils | Neal Morse | D♭ Major | 7 | 3B | 111 BPM | ||
| All That's Left | Spock's Beard | D Minor | 7 | 7A | 144 BPM | ||
| Lay Down Your Life | Transatlantic | G Major | 9 | 9B | 126 BPM | ||
| Perfect Love Song | Squackett | A♭ Minor | 7 | 1A | 120 BPM | ||
| Back | Anubis | C Minor | 6 | 5A | 180 BPM | ||
| In Isolation | Jadis | D Minor | 3 | 7A | 113 BPM | ||
| The Land of Beginning Again | Neal Morse | G Major | 1 | 9B | 80 BPM | ||
| Mountain | Ghost Of The Machine | D Minor | 8 | 7A | 204 BPM | ||
| Green Eyes | Pryzme | B Minor | 7 | 10A | 130 BPM | ||
| The World We Used to Know | Transatlantic | C Minor | 8 | 5A | 137 BPM | ||
| Deep Water Suite VIII: Launch Out, Pt. Three | Cosmic Cathedral | F Major | 6 | 7B | 96 BPM |