The Committee's ' "The Voicemail" was released on its scheduled release date, January 1, 1998. For a fairly short song, this song is "The Voicemail" is considered an explicit song with a duration of 0:42. There are a total of 16 in the song's album "Scholars And Sense". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. The Voicemail is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With The Voicemail by The Committee having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Stories of Almeda | P-Lyve | A Minor | 4 | 8A | 80 BPM | ||
| Larry-O Meets Iceberg Slick | Real Live, K-DEF | F♯ Minor | 6 | 11A | 87 BPM | ||
| Hold Tight | Adagio! | G Major | 4 | 9B | 80 BPM | ||
| Respect For It | The Committee | C Major | 6 | 8B | 80 BPM | ||
| Matrimony | Jigmastas | D♭ Major | 7 | 3B | 93 BPM | ||
| J to the I | The Nonce | A Minor | 5 | 8A | 93 BPM | ||
| The Gimmicks | Real Live | D♭ Major | 8 | 3B | 91 BPM | ||
| Fraudulent | Homeliss Derilex | D♭ Major | 4 | 3B | 92 BPM | ||
| On the Road Again | The Nonce, Figures Of Speech | F♯ Major | 6 | 2B | 89 BPM | ||
| City Made Me | kikirap1986 | A Minor | 4 | 8A | 85 BPM | ||
| Ghettobiz | Miilkbone | G Major | 6 | 9B | 91 BPM | ||
| Foxxy Brown | Al Tariq | E Major | 8 | 12B | 94 BPM | ||
| Dear You | Asheru and Blue Black of The Unspoken Heard | G Major | 6 | 9B | 91 BPM | ||
| Ta Each Iz Own | Mathematik | E Major | 9 | 12B | 128 BPM | ||
| This One | Diamond D | D♭ Major | 6 | 3B | 182 BPM | ||
| The Pressure | Hardwe're | A Minor | 6 | 8A | 92 BPM | ||
| Ass & Benefits | Adagio! | A Minor | 5 | 8A | 172 BPM | ||
| Running off with Your Cognitive Patterns (Rowycp) | Da Great Deity Dah | C Major | 7 | 8B | 79 BPM | ||
| Insertion of Thought | Down Ta Erf | D♭ Major | 6 | 3B | 180 BPM | ||
| Tasha's Room | Mannish, DJ Nu-Mark | G Major | 4 | 9B | 196 BPM | ||
| Overnite Gangsta | Scientifik | F♯ Major | 4 | 2B | 88 BPM | ||
| Love From The Sun | UBU | B♭ Minor | 5 | 3A | 98 BPM | ||
| Everyday Movement | Mathematik | G Major | 6 | 9B | 178 BPM | ||
| Intro | K-Otix | B♭ Minor | 7 | 3A | 90 BPM | ||
| I.E. Intro | Example | B♭ Minor | 6 | 3A | 90 BPM |