Molly Nyman, Harry Escott's 'Leave it All Behind' had a release date set for April 20, 2009. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Shifty (Original Motion Picture Soundtrack)". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Leave it All Behind's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Leave it All Behind by Molly Nyman, Harry Escott having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I've Got a Future (feat. Gavin Clark) (Nick Cave & Warren Ellis Rework) | Toydrum, Gavin Clark | A Minor | 2 | 8A | 80 BPM | ||
| No Escape | Daniel Pemberton | A♭ Major | 3 | 4B | 108 BPM | ||
| Losing Rachel | Jeff Beal | A♭ Major | 2 | 4B | 110 BPM | ||
| Why Am I Running? | Molly Nyman, Harry Escott | D Major | 2 | 10B | 136 BPM | ||
| Night Watch | Molly Nyman, Harry Escott | D Major | 2 | 10B | 136 BPM | ||
| Broken Harp | PJ Harvey | C Major | 1 | 8B | 64 BPM | ||
| Run From the Devil - Demo Version | Andrew Kirell | D Major | 7 | 10B | 94 BPM | ||
| The Joke | Lele Marchitelli | A Minor | 0 | 8A | 83 BPM | ||
| White Widow Super Cheese | Chris Benstead | A Major | 2 | 11B | 80 BPM | ||
| Raddir | Ólafur Arnalds, South Iceland Chamber Choir | B Minor | 2 | 10A | 85 BPM | ||
| The Boy | Nick Cave & Warren Ellis | A Minor | 0 | 8A | 113 BPM | ||
| Dunkles Babel | Johnny Klimek, Tom Tykwer | E♭ Major | 3 | 5B | 80 BPM | ||
| Privy Council | Martin Phipps | D♭ Major | 0 | 3B | 92 BPM | ||
| Wild Moose | Atticus Ross, Leopold Ross | F♯ Major | 3 | 2B | 105 BPM | ||
| Amélie | Evgueni Galperine, Sacha Galperine | D♭ Minor | 1 | 12A | 122 BPM | ||
| Slips Away | Stefano Ruggeri | E♭ Minor | 1 | 2A | 110 BPM | ||
| Hiding the Body | Johan Söderqvist | E Minor | 0 | 9A | 70 BPM | ||
| End Credits | Harry Escott | G Minor | 0 | 6A | 123 BPM | ||
| Haven | Gian Marco Castro | E♭ Minor | 0 | 2A | 125 BPM | ||
| Lewis Gets the Boot | Tyler Bates | D Minor | 3 | 7A | 126 BPM | ||
| What Did They Ask You? | Ólafur Arnalds | B Major | 1 | 1B | 85 BPM | ||
| Enter the Void | Daniel Spaleniak | C Major | 2 | 8B | 120 BPM | ||
| Bancroft Shows Kovacs | Jeff Russo | F Minor | 0 | 4A | 66 BPM | ||
| That's How Horses Are | Thom Yorke | F Minor | 1 | 4A | 102 BPM | ||
| I Was Never Going To Go To Africa | Abel Korzeniowski | A Minor | 1 | 8A | 61 BPM |