Verlon Thompson's 'Twentyfourseventhreesixtyfive' had a release date set for March 14, 2015. The duration of This song is about 3 minutes long, at 3:05. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 8 in Amplified by Verlon Thompson. Based on our statistics, Twentyfourseventhreesixtyfive's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Twentyfourseventhreesixtyfive by Verlon Thompson is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Guess We're at that Age | Tommy Womack | A Major | 6 | 11B | 144 BPM | ||
| Borrowed Hearts | Bill Scorzari | D♭ Major | 4 | 3B | 76 BPM | ||
| I Still Cry About John Prine | Bryant Tench | D Major | 4 | 10B | 79 BPM | ||
| Boquillas | Matt Robertson | D♭ Minor | 6 | 12A | 160 BPM | ||
| None Of My Biz | James Mick Nolan | D♭ Minor | 6 | 12A | 160 BPM | ||
| Barley Kids | The Last River Bottomed Fig Plucker | C Major | 1 | 8B | 182 BPM | ||
| Rough Edges | Fred Eaglesmith | A♭ Major | 2 | 4B | 147 BPM | ||
| A Lifetime Ago | Darrell Scott, Dale Scott | B♭ Major | 1 | 6B | 104 BPM | ||
| Convenient Jesus (Dallas County Jail) | Tim Menchu | A Minor | 5 | 8A | 74 BPM | ||
| The Hunter | Don Tuttle | E Minor | 2 | 9A | 150 BPM | ||
| The Cape | Verlon Thompson | F Major | 8 | 7B | 118 BPM | ||
| No Rust on My Spade | Otis Gibbs | D Major | 4 | 10B | 139 BPM | ||
| Sadder Day | Western Centuries | G Major | 6 | 9B | 194 BPM | ||
| Ain't No Love In This R'n'R World | David Munyon | D♭ Minor | 6 | 12A | 160 BPM | ||
| Hight | James Whitex | D♭ Minor | 6 | 12A | 160 BPM | ||
| Swamp Thing | Garden Of Delight | A Major | 6 | 11B | 93 BPM | ||
| Everything will change | Malcolm Washington | E Major | 3 | 12B | 106 BPM | ||
| The Surfer | Tony Kamel | B Major | 5 | 1B | 149 BPM | ||
| Noorth Atlantic Summer | Mandel Tom | B Minor | 8 | 10A | 145 BPM | ||
| Any Lie Will Do | Everyday Outlaw | D♭ Minor | 6 | 12A | 160 BPM | ||
| The Old Bronc Saddle | Allen Christie | G Major | 3 | 9B | 91 BPM | ||
| Going Down | Highland Express | C Major | 8 | 8B | 137 BPM | ||
| Get Me Outta Nashville | Ian Cuthbertson | A Major | 5 | 11B | 109 BPM | ||
| The Get To You Waltz | Verlon Thompson | D Major | 4 | 10B | 124 BPM | ||
| Thank God for the Road | The Flatlanders | C Major | 6 | 8B | 93 BPM |