J. Om Prakash's ' "Gopal Krishna" was released on its scheduled release date, December 31, 1953. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Dhaniram, R. Sudarsanam, Rajendra Krishan, Moti B. A.'s "Ladki" album is number 2 out of 12. On top of that, India appears to be the country where this track was created. Gopal Krishna is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Gopal Krishna by J. Om Prakash to be Larghetto (rather broadly) because the track has a tempo of 64 BPM, a half-time of 32BPM, and a double-time of 128 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jeevan Hai Anmol | Praveen-dimple | F♯ Minor | 3 | 11A | 72 BPM | ||
| Main Buddha Ho Gaya | S. P. Balasubrahmanyam | D♭ Major | 7 | 3B | 80 BPM | ||
| Lara Loo Lara Loo | Shamshad Begum | B♭ Minor | 5 | 3A | 92 BPM | ||
| Malik Tere Jahan Mein | Sudha Malhotra | G Major | 2 | 9B | 102 BPM | ||
| Hanuman Sa Koi | Vinod Rathod, Vipin Sachdeva | A Minor | 5 | 8A | 87 BPM | ||
| Yaar Ko Milne Jaana Hai | Vinod Rathod | F Major | 8 | 7B | 130 BPM | ||
| Tera Mera Mera Tera | Kishore Kumar, Asha Bhosle, Kalyanji-Anandji | G Major | 7 | 9B | 107 BPM | ||
| Tere Dwar Khule To Mere Bhagya | Mahendra Kapoor, Hemlata | A Major | 6 | 11B | 112 BPM | ||
| Mitwa Re Mitwa ( Part 1) - Jawaab / Soundtrack Version | Pankaj Udhas | F Minor | 7 | 4A | 108 BPM | ||
| Nadiya Mein Lehren Nache | Shyamal Mitra | A♭ Major | 4 | 4B | 125 BPM | ||
| Ai Jane Jigar | Mukesh | A♭ Major | 2 | 4B | 151 BPM | ||
| Naam Aapka Hothon Pe Hai | Rehana | E Major | 5 | 12B | 143 BPM | ||
| Preet Sataye Teri Yaad Na Jaye Teri | Suraiya | C Major | 2 | 8B | 74 BPM | ||
| Aaine Mein Ek Chand Si Surat | Amirbai Karnataki, Surendra | F♯ Minor | 2 | 11A | 88 BPM | ||
| Gulshan Ki Baharon Mein | Musarat Nazim | F♯ Minor | 4 | 11A | 118 BPM | ||
| Barsa Barsa | Alka Yagnik, Mohammed Aziz | A Minor | 7 | 8A | 80 BPM | ||
| Yeh Mausam Suhana | Salma Agha | F♯ Minor | 5 | 11A | 159 BPM | ||
| Ankhon Ne Mohabbat Mein | Mahendra Kapoor, Laxmikant–Pyarelal | B♭ Major | 5 | 6B | 143 BPM | ||
| Ghir Ghir Aaye Badarwa Kare | Talat Mahmood, Mubarak Begum | F Minor | 3 | 4A | 72 BPM | ||
| Do Deewane | Kumar Sanu | B♭ Major | 1 | 6B | 115 BPM | ||
| Kis Naam Se Pukaru | Hassan Jahangir | F Minor | 8 | 4A | 123 BPM | ||
| Saanp Se Badhke Zehreela Insaan | Shailendra Singh, R. D. Burman | D Major | 8 | 10B | 126 BPM | ||
| Yeh Chand Nahin | Jagmohan Sursagar | A♭ Minor | 3 | 1A | 176 BPM | ||
| Hum Khwab Ko Badal Denge | Hemlata, Yesudas | B♭ Major | 6 | 6B | 115 BPM | ||
| You Dont Know What We Are | Alka Yagnik, Dilraj Kaur, Amit Kumar, Preeti Sagar, Anwar Hussain | D Major | 6 | 10B | 175 BPM |