Rajendra Jain's ' "Samaapti" was released on its scheduled release date, 2003. With This song being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Rajendra Jain, Kavita Paudwal's "Jain Deepawali Poojan" album is number 11 out of 11. On top of that, France appears to be the country where this track was created. Based on our statistics, Samaapti's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Samaapti by Rajendra Jain to be Allegro (fast, quick, and bright) because the track has a tempo of 155 BPM, a half-time of 78BPM, and a double-time of 310 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aman Ka Jhanda | Arvind Kumar, Nirdhan Kirtapur | E♭ Minor | 5 | 2A | 92 BPM | ||
| Ranat Mor Aaravila | Nanda Bhamre | G Minor | 6 | 6A | 82 BPM | ||
| Sai Aarti | Poonam Vishwakarma | F♯ Major | 6 | 2B | 90 BPM | ||
| Pimpalachya Zada Mage | Anjali Nandgavakar | F♯ Minor | 3 | 11A | 108 BPM | ||
| Darshan Path | Rajendra Jain, Tripti Shkya, Meena | D♭ Minor | 4 | 12A | 111 BPM | ||
| Giriraj Ki Sharan Mein | HDH Shri Vrajrajkumarji Mahodayshri | D♭ Major | 5 | 3B | 156 BPM | ||
| Aarti Jai Jambheshwar Ki | Sant Rajuram Ji | D♭ Major | 7 | 3B | 90 BPM | ||
| Ki Karane Balo Thakur | Mahesh Ranjan Shome | A♭ Major | 7 | 4B | 91 BPM | ||
| Majhya Saicha Udo | Sachidanand Aappa | F♯ Major | 6 | 2B | 104 BPM | ||
| BAWARI SABAL SINGH KI PAIDI | Ashu Verma | D♭ Major | 5 | 3B | 129 BPM | ||
| Aarti Shree Jambh Tumari Jambheshwar Bhajan | Sant Rajuram Ji | E♭ Minor | 7 | 2A | 88 BPM | ||
| Sheetali Aihein Angana | MANOJ TIWARI | F♯ Major | 4 | 2B | 114 BPM | ||
| Paani Main Meen Piyasi | Madan Gopal | G Major | 5 | 9B | 75 BPM | ||
| Salasar Balaji Aarti (Jayati Jay Bajrang Bala) | Shailendra Bharti | E♭ Major | 6 | 5B | 117 BPM | ||
| Kailash Ke Nivasi | TANVI SENJALIYA | E♭ Minor | 5 | 2A | 85 BPM | ||
| Baithas Has Tariya Ke Par O | Dukalu Yadav | A Major | 5 | 11B | 91 BPM | ||
| Ashutosh Shashank Shekhar | Madhvi Madhukar | A Major | 4 | 11B | 90 BPM | ||
| Ae Devi Maiya | MANOJ TIWARI | A♭ Major | 5 | 4B | 129 BPM | ||
| Raghuvar Tumko Meri Laaj | Satya Adhikar | E Major | 4 | 12B | 176 BPM | ||
| Swami Ho Swami | Mahesh Kale, Chintamani Sohoni | D Major | 8 | 10B | 109 BPM | ||
| Aavad Tula Kanya Bhandaryachi | Vijay Sartape | E♭ Minor | 7 | 2A | 111 BPM | ||
| Dinchari | Mithlesh Sahu | F Minor | 9 | 4A | 157 BPM | ||
| Katobar Bhebechhinu Apona Bhuliya (1885) | Swagatalakshmi Dasgupta | E Major | 3 | 12B | 114 BPM | ||
| Sai Sai Japa Karo Sai Naam Ras Piya Karo | Paras Jain | E♭ Minor | 9 | 2A | 148 BPM | ||
| Laya God Sapan Padal | Shakuntala Jadhav | B♭ Minor | 6 | 3A | 79 BPM |