Amanda Whiting's ' "Mary Over There" was released on its scheduled release date, April 11, 2025. The duration of This song is about 3 minutes long, at 3:10. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 14 in the song's album "The Liminality of Her (Deluxe Edition)". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Mary Over There is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Mary Over There by Amanda Whiting having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Thrift | Fazer | C Minor | 5 | 5A | 99 BPM | ||
| Transcendence | Greg Foat, Jihad Darwish, Moses Boyd | A♭ Minor | 6 | 1A | 146 BPM | ||
| The Movie Critic | Florian Pellissier Quintet | G Minor | 2 | 6A | 75 BPM | ||
| End Of The Line | Finn Rees | G Minor | 2 | 6A | 83 BPM | ||
| Paladin of Sound & Circumstance | Joe Armon-Jones | B♭ Major | 6 | 6B | 80 BPM | ||
| So It's Gone? (25) | corto.alto | F♯ Minor | 6 | 11A | 85 BPM | ||
| Shining | Àbáse, Ori Jacobson | G Minor | 3 | 6A | 63 BPM | ||
| Sacrifice Culture | Gerald Clayton | B Minor | 5 | 10A | 185 BPM | ||
| Up There | Amanda Whiting | G Minor | 4 | 6A | 124 BPM | ||
| Meshell | Marquis Hill | G Major | 7 | 9B | 123 BPM | ||
| Lara | corto.alto | B Minor | 4 | 10A | 90 BPM | ||
| Willow, Pt.1 | Scrimshire | A Major | 4 | 11B | 156 BPM | ||
| A Private Cosmos | Greg Foat | D♭ Minor | 6 | 12A | 151 BPM | ||
| Intertwined | Amanda Whiting, PEACH. | F Minor | 2 | 4A | 144 BPM | ||
| After Dark | Amanda Whiting | C Minor | 1 | 5A | 120 BPM | ||
| Outside | Chip Wickham | C Minor | 6 | 5A | 94 BPM | ||
| everything but sex | daoud | F Minor | 4 | 4A | 81 BPM | ||
| This One (03) | corto.alto | F♯ Minor | 6 | 11A | 85 BPM | ||
| as night falls | Jerk | A Major | 3 | 11B | 97 BPM | ||
| Time and Other Thieves | Emma Rawicz | D♭ Major | 5 | 3B | 139 BPM | ||
| Power | Don Glori | A Minor | 7 | 8A | 157 BPM | ||
| Cantus - Radio Edit | GODTET, Novak Manojlovic, Sydney Symphony Orchestra | B Major | 3 | 1B | 78 BPM | ||
| Monson Road | Brintex Collective | D♭ Minor | 3 | 12A | 171 BPM | ||
| Stab | Kuna Maze | B♭ Minor | 7 | 3A | 131 BPM | ||
| Dream of the Contest | MATTERS UNKNOWN, Somewhere Soul, megiapa | F Minor | 7 | 4A | 96 BPM |