On June 1, 2012, the song "Mangalam Mangalam Saibaba" was released by Parupalli Sri Ranganath. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Sri Sainadham". In this album, this song's track order is #1. Furthermore, we believe that the track originated from India. Mangalam Mangalam Saibaba is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Mangalam Mangalam Saibaba by Parupalli Sri Ranganath having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Subramanya Ashtakam | Hari Achuta Rama Sastry | B Minor | 3 | 10A | 76 BPM | ||
| Adivo Alladivo | B.Ramana | G Minor | 8 | 6A | 99 BPM | ||
| Kuil Pathu | SIVA DAMODHARAN AYYA | C Minor | 8 | 5A | 160 BPM | ||
| Mahima Pogada Taramaa | Swapna | F♯ Minor | 6 | 11A | 140 BPM | ||
| Gowri Kalyaana | Sangita Kalanidhi Dr R Vedavalli | E Minor | 5 | 9A | 105 BPM | ||
| Sri Mahalakshmi Sthuthi | Parupalli Sri Ranganath | C Major | 5 | 8B | 170 BPM | ||
| Amma Durgamma Thalli | Gangaputra Narasinga Rao | F♯ Major | 8 | 2B | 146 BPM | ||
| Muttu Pattu | V2S2 | D♭ Major | 6 | 3B | 110 BPM | ||
| Surya Stuti | Prasath Sai, Prakash Kumar | C Minor | 6 | 5A | 97 BPM | ||
| Male Male Maathadi | Rajkumar, Ramesh Chandra, K.S. Surekha, Sri Raksha Aravind | E Minor | 9 | 9A | 171 BPM | ||
| Sri Saibaba Ashtottarasaranamavali | Parupalli Sri Ranganath | B♭ Major | 5 | 6B | 114 BPM | ||
| Sesha Sailavaasa | Ghantasala | F♯ Major | 5 | 2B | 82 BPM | ||
| Vinayagar Agaval | Sirkazhi Govindarajan | B Minor | 4 | 10A | 170 BPM | ||
| Mangalamani Mangalamani | Vedavathi Prabhakar | G Major | 2 | 9B | 145 BPM | ||
| Bhadragiri Vaasudavu | Rama Devi | A Major | 9 | 11B | 116 BPM | ||
| Sri Narasimha Karavalamba Stothram | Malola Kannan | D♭ Major | 5 | 3B | 89 BPM | ||
| Sharanu Siddhi Vinayaka | Dr.Rajkumar | D♭ Major | 4 | 3B | 115 BPM | ||
| Mangala Roopini Dhukka Nivarana Ashtakam - Female Vocals | Mylai Sisters | C Major | 7 | 8B | 120 BPM | ||
| Daaridrya Danastuthi | S.P. Balu | F Major | 4 | 7B | 124 BPM | ||
| Bhagavan Saranam Nalubadi Dinamulu | Parupalli Sri Ranganath | E♭ Major | 7 | 5B | 121 BPM | ||
| Thugire Rayara | Radha Thandaveshwar, Rama Sadashiv | E Major | 5 | 12B | 132 BPM | ||
| Thoogire Rangana Thoogire Krishnana | Ratnamala Prakash | D Major | 3 | 10B | 111 BPM | ||
| Sri Kamakshi Stothram | Bombay Sisters | F♯ Major | 4 | 2B | 84 BPM | ||
| Sri Lalitha Shiva Jyothi | Padmaja Srinivas | B♭ Minor | 5 | 3A | 93 BPM | ||
| Chakkani Thalliki Changu Bala | Bhukya Praveen kumar, Padmaja Sreenivasan, Annamacharya | C Major | 4 | 8B | 144 BPM |