"Raga Pilu" by Bismillah Khan had its release date on 2005. This song appears to be safe for all ages as it is not explicit. The track order of this song in Bismillah Khan's "Lifestory Of A Legend Vol. 2" album is number 2 out of 2. On top of that, United States appears to be the country where this track was created. Raga Pilu is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Raga Pilu by Bismillah Khan to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Raga Nilambari - Gat in Vilambit Ektaal | N. Rajam, Zakir Hussain | B Minor | 3 | 10A | 130 BPM | ||
| Annapoorne Visalakshi (Instrumental) | Anjani Srinivasan | A Major | 5 | 11B | 150 BPM | ||
| Ati Drut on Veena | Raga Behag | Ramana Balachandhran | E♭ Major | 5 | 5B | 95 BPM | ||
| Nayan Ki Mat Maro Talwariya - Raga Bhairavi - Dadra Tala | Girija Devi | B♭ Major | 4 | 6B | 79 BPM | ||
| Folk: Aadhi Taal, 8 Beats | Pandit Vinayak Vora, M. Kalyanaraman | A Major | 5 | 11B | 118 BPM | ||
| Shiva Matha Kara - Kutumba | Kutumba | D♭ Major | 5 | 3B | 80 BPM | ||
| Kṛiti by Saint Tyāgarāja - Rāgam: Bilaharị | L. Subramaniam, Viji Subramaniam, T. H. Subashchandran, Poovalur V. Srinivasan | B Major | 1 | 1B | 133 BPM | ||
| Theeratha Vilayattu Pillai (Instrumental) | Peri Thyagaraju | F Minor | 4 | 4A | 145 BPM | ||
| Kateelda Sri Durgaparameshwari | B. R. Chaya | F Major | 5 | 7B | 143 BPM | ||
| Shehnai-Bhairavi -Thumri | Bismillah Khan | D Major | 3 | 10B | 118 BPM | ||
| Jagadodhaarana - Kafi - Adi Tala | Kadri Gopalnath, Pravin Godkhindi | C Minor | 7 | 5A | 102 BPM | ||
| Kriti: "Mīnākṣi Me Mudam" / Pallavi | Ranganayaki Rajagopalan, Raja Rao | G Minor | 3 | 6A | 145 BPM | ||
| Ras Ke Bhare | Girija Devi | D Major | 5 | 10B | 71 BPM | ||
| The Natural Forces - Original Mix | Kaustav Majumder | D Minor | 4 | 7A | 96 BPM | ||
| Samininne (Raga: Varnam Sri; Tala: Adi) | Chitti Babu | B Major | 3 | 1B | 89 BPM | ||
| Through The Trees | Kaustav Majumder | B♭ Major | 3 | 6B | 84 BPM | ||
| Shuddh Sarang | Nayan Ghosh, Ishaan Ghosh | D♭ Major | 6 | 3B | 126 BPM | ||
| Taaron Bhari Raat - Raga Malkauns - Raga Malkauns - Drut Ektala | Ronkini Gupta, Ashish Ragwani, Abhinay Ravande | B♭ Minor | 7 | 3A | 99 BPM | ||
| Mandir at Saffron Hour | Anura Bansuri | D Major | 1 | 10B | 160 BPM | ||
| The Pupil and His Master: Rag Bilawal | Vilayat Khan | D♭ Major | 7 | 3B | 115 BPM | ||
| Nee Lokada | C. Ashwath | D Major | 5 | 10B | 108 BPM | ||
| Tilak Kamod - Instrumental | Ustad Bismillahkhan | F♯ Minor | 4 | 11A | 76 BPM | ||
| Swagatham Krishna (Instrumental) | Peri Thyagaraju | B♭ Minor | 4 | 3A | 114 BPM | ||
| Adana | Buddhadev DasGupta | F Major | 4 | 7B | 115 BPM | ||
| Rama Niranjan Nyara Re | Kumar Gandharva, Suresh Acharekar, Govindrao Patwardhan | F Minor | 4 | 4A | 85 BPM |