Messiah, Pt. 1: 2. Recit "Comfort Ye" by George Frideric Handel, Dunedin Consort, John Butt, Nicholas Mulroy Song Details

"Messiah, Pt. 1: 2. Recit "Comfort Ye"" by George Frideric Handel, Dunedin Consort, John Butt, Nicholas Mulroy had its release date on November 1, 2006. The duration of This song is about 3 minutes long, at 3:16. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in George Frideric Handel, Dunedin Consort, John Butt's "Handel: Messiah (Dublin Version, 1742)" album is number 2 out of 57. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Messiah, Pt. 1: 2. Recit "Comfort Ye" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of Messiah, Pt. 1: 2. Recit "Comfort Ye" by George Frideric Handel, Dunedin Consort, John Butt, Nicholas Mulroy to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.

Music Key

This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 12%
Loudness: -19.312 dB
Acousticness: 92%
Danceability: 25%
Energy: 8%
Instrumentalness: 0%
Liveness: 13%
Loudness: 68%
Speechiness: 4%
Valence: 9%

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