"Interlude I (The End)" by Mogli had its release date on May 12, 2022. With This song being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 14 in the song's album "Ravage". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. In terms of popularity, Interlude I (The End) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Interlude I (The End) by Mogli having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Belle de Nuit | Parra for Cuva | G Major | 2 | 9B | 110 BPM | ||
| Our Steps | Didacte | D Major | 0 | 10B | 130 BPM | ||
| Bau mich auseinander (Piano Version) | Fynn Kliemann, Philipp Schwär, Klinger | E♭ Minor | 3 | 2A | 108 BPM | ||
| Ships Along the Harbor | Slow Meadow | F Major | 1 | 7B | 116 BPM | ||
| Silence | Wallners | F♯ Major | 2 | 2B | 150 BPM | ||
| IV | Lists | D Major | 1 | 10B | 160 BPM | ||
| Inner Change | Mitsch Kohn | A Minor | 0 | 8A | 69 BPM | ||
| Management Of Sorrows | Before Flags, We Dream of Eden, Chrys Jones, Dylan Ellicott, Patrick Spatz | E♭ Minor | 3 | 2A | 88 BPM | ||
| Exit (With Burgs) - Instrumental | Mt. Wolf | B Major | 2 | 1B | 112 BPM | ||
| Highlands | Rohne | D Major | 1 | 10B | 108 BPM | ||
| Where Presence Waits | Abstract Aprils | C Minor | 1 | 5A | 73 BPM | ||
| Earth & Water | Malte Marten, Yatao | A Minor | 0 | 8A | 146 BPM | ||
| New Home - From "Surface" | Ólafur Arnalds | A♭ Minor | 0 | 1A | 113 BPM | ||
| The Silence Between the Notes | Martin Roth | B♭ Minor | 1 | 3A | 83 BPM | ||
| Circadian, Part.I | Holloway | C Major | 0 | 8B | 112 BPM | ||
| In The Water - From "Surface" | Ólafur Arnalds | A♭ Minor | 0 | 1A | 113 BPM | ||
| Whispering Dawn | Aloen Viss | A♭ Minor | 4 | 1A | 184 BPM | ||
| Till I Found You | Dustin Tebbutt | D Major | 4 | 10B | 115 BPM | ||
| Peter | Tom Ashbrook | C Major | 7 | 8B | 102 BPM | ||
| Departure | Freyr | E Major | 4 | 12B | 162 BPM | ||
| Your Soul Goes On | Zen That Beat | E Major | 2 | 12B | 77 BPM | ||
| Intro | Wallners | A♭ Minor | 1 | 1A | 141 BPM | ||
| The Medicine Man | JustJoseph | F Minor | 1 | 4A | 173 BPM | ||
| Grounded | Zen That Beat | F♯ Major | 1 | 2B | 88 BPM | ||
| Circadian, Part.II | Holloway | C Major | 1 | 8B | 61 BPM |