Peter Kiesewetter, Symphonieorchester des Bayerischen Rundfunks, Heinz Rühmann's ' "Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Zwischenspiel No. 3, Scherzino" was released on its scheduled release date, January 1, 2016. With This song being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Peter Kiesewetter, Heinz Rühmann's "Kiesewetter: Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble)" album is number 7 out of 25. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Zwischenspiel No. 3, Scherzino is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Zwischenspiel No. 3, Scherzino by Peter Kiesewetter, Symphonieorchester des Bayerischen Rundfunks, Heinz Rühmann to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Poulenc: Cello Sonata, FP 143: IV. Finale | Francis Poulenc, Daniel Müller-Schott/Robert Kulek | D♭ Minor | 1 | 12A | 171 BPM | ||
| Suita Concertante-Encounters IV for Viola Clarinet and Chamber Orchestra: II. Allegro | Menachem Wiesenberg, Yuval Gotlibovich, Chen Halevi, Thomas Rösner, Beethoven Philarmonie Orchestra | A Minor | 2 | 8A | 137 BPM | ||
| 5 Pieces for String Quartet: No. 1, Alla Valse Viennese | Erwin Schulhoff, Aviv Quartet | C Major | 2 | 8B | 82 BPM | ||
| Piano Quartet In E Flat, Op.87, B. 162: 2. Lento | Antonín Dvořák, Menahem Pressler, Emerson String Quartet | F♯ Major | 1 | 2B | 93 BPM | ||
| Concerto for Violin and Orchestra no.2 in D minor op.22: 2. Romance. Andante non troppo | Henryk Wieniawski, Gil Shaham, London Symphony Orchestra, Lawrence Foster | B♭ Major | 1 | 6B | 90 BPM | ||
| Schubert: Arpeggione Sonata in A Minor, D. 821: II. Adagio | Franz Schubert, András Schiff, Miklós Perényi | D Major | 1 | 10B | 85 BPM | ||
| Havanaise, Op. 83: III. Allegro ma non troppo - 2020 Remastered Version | Camille Saint-Saëns, Zino Francescatti, William Smith, Columbia Symphony Orchestra | E♭ Major | 4 | 5B | 113 BPM | ||
| Debussy: La plus que lente, CD 128, L. 121 (Arr. Roques for Violin and Piano) | Claude Debussy, Vilde Frang, José Gallardo | G Major | 1 | 9B | 125 BPM | ||
| Brahms - Op.116 No.2 Intermezzo A minor | Elena Kuschnerova | A Minor | 0 | 8A | 132 BPM | ||
| Violin Concerto No.1 in G minor, Op.26: 3. Finale (Allegro energico) | Max Bruch, Janine Jansen, Gewandhausorchester, Riccardo Chailly | G Major | 2 | 9B | 93 BPM | ||
| Suite for Violoncello and Orchestra, Op. 16: II. Sérenade. Andantino | Camille Saint-Saëns, Maximilian Hornung, Sebastian Tewinkel | B Minor | 1 | 10A | 86 BPM | ||
| Shostakovich: Piano Quintet in G Minor, Op. 57: III. Scherzo. Allegretto | Dmitri Shostakovich, Borodin Quartet, Elisabeth Leonskaja | E♭ Minor | 4 | 2A | 120 BPM | ||
| Pictures at an Exhibition: Gnomus. Sempre vivo | Modest Mussorgsky, Ivo Pogorelich | D Minor | 0 | 7A | 63 BPM | ||
| Piano Quartet in E-Flat Major, Op. 47: IV. Finale (Vivace) | Robert Schumann, Alexander Melnikov, Jerusalem Quartet | A Major | 0 | 11B | 88 BPM | ||
| The Legend, Op. 17 | Henryk Wieniawski, Filharmonie Brno, Petr Altrichter, Jan Stanovsky | G Minor | 1 | 6A | 112 BPM | ||
| 4 Morceaux, Op. 56: No. 2, Romance | Anton Arensky, Dmitrii Khrychev, Olga Solovieva | G Major | 0 | 9B | 99 BPM | ||
| 2 Pieces for Cello and Piano: I. Langsam | Anton Webern, Thomas Demenga, Thomas Larcher | D Major | 0 | 10B | 94 BPM | ||
| No. 2, Tempo di minuetto. Grazioso | Antonín Dvořák, Scharoun Ensemble | G Major | 1 | 9B | 81 BPM | ||
| Wieniawski: Légende in G Minor, Op. 17 | Henryk Wieniawski, Maxim Vengerov, Itamar Golan | G Minor | 1 | 6A | 81 BPM | ||
| Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Zwischenspiel No. 1, March | Peter Kiesewetter, Heinz Rühmann, Symphonieorchester des Bayerischen Rundfunks | D♭ Major | 1 | 3B | 116 BPM | ||
| Bartók / Compl. Serly: Viola Concerto, Sz. 120: III. Allegro Vivace | Béla Bartók, Tabea Zimmermann, David Shallon, Bavarian Radio Symphony Orchestra | D♭ Major | 0 | 3B | 64 BPM | ||
| Suite in E Major, JS 188: II. Allegro molto | Jean Sibelius, Jaakko Kuusisto, Folke Gräsbeck | A Minor | 1 | 8A | 158 BPM | ||
| Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: IX. Das Diner | Richard Strauss, Jeffrey Tate, English Chamber Orchestra, Clifford Benson | D Major | 1 | 10B | 85 BPM | ||
| Trio for Clarinet, Cello and Piano: I. Allegro | Nino Rota, Roeland Hendrikx, Sébastien Walnier, Liebrecht Vanbeckevoort | D Major | 1 | 10B | 85 BPM | ||
| Piano Trio No. 3 in A Minor, Op. 26: III. Très lent | Édouard Lalo, Trio Wanderer | D Major | 1 | 10B | 85 BPM |