Rodney Mannsfield's ' "Call Me (Philly Mix)" was released on its scheduled release date, 1996. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Rodney Mannsfield's "Lets Get It On" album is number 12 out of 13. In terms of popularity, Call Me (Philly Mix) is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Call Me (Philly Mix) by Rodney Mannsfield to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Found Heaven | Rodney Mannsfield | G Minor | 7 | 6A | 75 BPM | ||
| This Is the Last Time | Teddy Pendergrass | D Major | 4 | 10B | 127 BPM | ||
| Rise to the Occasion | Jermaine Jackson, La La | A Major | 7 | 11B | 92 BPM | ||
| There You Are | Sam Salter | B Minor | 5 | 10A | 138 BPM | ||
| Island Girl | Rodney Mannsfield | E Major | 5 | 12B | 103 BPM | ||
| Rest My Lips | Gary Taylor | G Minor | 4 | 6A | 138 BPM | ||
| Love Saw It | Karyn White | F♯ Minor | 4 | 11A | 93 BPM | ||
| Not a Perfect Man | Christopher Williams | G Minor | 3 | 6A | 116 BPM | ||
| Whatever | Gary Taylor | F Minor | 4 | 4A | 94 BPM | ||
| Everything You Touch | Smokey Robinson | E Major | 5 | 12B | 82 BPM | ||
| Come Home to Me | Miki Howard | C Major | 6 | 8B | 80 BPM | ||
| Make It Work Again | Ashford & Simpson | B Minor | 6 | 10A | 198 BPM | ||
| Special (Featuring Bridgette Bryant) | Gary Taylor | D♭ Major | 5 | 3B | 132 BPM | ||
| Still Waiting | Bert Robinson | B♭ Minor | 8 | 3A | 149 BPM | ||
| I'm Cryin | Shanice | C Major | 5 | 8B | 112 BPM | ||
| Someone to Hold | Trey Lorenz | E Major | 5 | 12B | 148 BPM | ||
| Let Me Be The One | Gladys Knight & The Pips | E♭ Major | 4 | 5B | 120 BPM | ||
| Have A Little Mercy | 4.0 | C Major | 6 | 8B | 102 BPM | ||
| I'll Always Love You | Boney James | B♭ Major | 5 | 6B | 86 BPM | ||
| Home Is Where The Heart Is | Alexander O'Neal | G Minor | 6 | 6A | 148 BPM | ||
| If Tomorrow Never Comes | Joose | F♯ Major | 4 | 2B | 140 BPM | ||
| You Are Who You Love | Gavin Christopher | E Minor | 7 | 9A | 74 BPM | ||
| You Let Me In | Dan Siegel | B♭ Minor | 2 | 3A | 106 BPM | ||
| Main Course | Paul Laurence | G Major | 4 | 9B | 95 BPM | ||
| Angel Calling | Victoria Wilson James | F Minor | 6 | 4A | 102 BPM |