Narendra Chanchal's ' "Kilak Stotra" was released on its scheduled release date, October 10, 1995. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 8 in the song's album "Shree Durga Stuti Vol-1". In this album, this song's track order is #6. Furthermore, we believe that the track originated from India. Kilak Stotra is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Kilak Stotra by Narendra Chanchal having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kunj Me Bhi Radhe | Asif Jeriya, Ami Joshi | F Minor | 5 | 4A | 88 BPM | ||
| Mara Ghatman Birajata | Ashit Desai, Hema Desai | F Minor | 4 | 4A | 76 BPM | ||
| Sharad Poonam Ni Raatdi - Gujarati Garba Song | Atul Purohit | B♭ Minor | 2 | 3A | 78 BPM | ||
| BHAJAMAN GIRIVAR DHARI | NITIN DEVKA-NIDHO DHOLKIA | D♭ Major | 7 | 3B | 89 BPM | ||
| Shiva Shambho | Vikram Hazra | F♯ Major | 2 | 2B | 129 BPM | ||
| Vaalam Vadhaamnaa Ho | Baps Swaminarayan Sanstha | F♯ Major | 5 | 2B | 120 BPM | ||
| Tataniya Dharawali Khodal Mata | Meena Patel | C Major | 7 | 8B | 155 BPM | ||
| GOVIND HARI GOPAL HARI-DHUN | NITIN DEVKA-NIDHO DHOLKIA | E♭ Major | 4 | 5B | 156 BPM | ||
| Aje Yagnapurush Ne Dwar | Baps Swaminarayan Sanstha | C Major | 6 | 8B | 103 BPM | ||
| Nirakhane Ganganamaan | Ashit Desai & Group | D♭ Major | 2 | 3B | 144 BPM | ||
| Gharda Gharma Bethi Mavadi | Hari Bharwad | A Minor | 5 | 8A | 79 BPM | ||
| Shambhu Sharne Padi | Meena Patel | F Major | 6 | 7B | 90 BPM | ||
| Kanudo Su Jane Mari Preet | Hari Bharwad | D♭ Major | 7 | 3B | 122 BPM | ||
| Nana Sarkha Shreenathji | Dr. Dipali Bhatt, Sachin Limaye, Foram Maheta | F♯ Major | 1 | 2B | 82 BPM | ||
| Aa Re Dil Ka Koi | Niranjan Pandya | F♯ Major | 8 | 2B | 141 BPM | ||
| Bajrang Baan | Narendra Chanchal | D♭ Minor | 7 | 12A | 141 BPM | ||
| Valam Vadhamana | Baps Swaminarayan Sanstha | F♯ Major | 5 | 2B | 120 BPM | ||
| NANA SARKHA SHRINATHJI | Nidhi Dholkiya | B Minor | 8 | 10A | 121 BPM | ||
| Shrinathjino Dhwani | Anuradha Paudwal, Ashit Desai, Purshottam Das Jalota, Shubha Joshi, Umesh Vajpai | B Minor | 5 | 10A | 92 BPM | ||
| Mara Ghatma Birajata Shrinathji | Ashit Desai, Hema Desai | D Major | 7 | 10B | 83 BPM | ||
| Vrajvasina Vhala Shreejibava | Dr. Dipali Bhatt | D♭ Minor | 5 | 12A | 80 BPM | ||
| Itna To Karna Swamy | Anuradha Paudwal, Ashit Desai, Purshottam Das Jalota, Shubha Joshi, Umesh Vajpai | D♭ Major | 4 | 3B | 91 BPM | ||
| Hey Nand Nand | Vikram Hazra | B♭ Major | 1 | 6B | 114 BPM | ||
| Barah Bhavna | Arohi Anil Agarkar, Ragreshree Anil Agarkar | B Major | 5 | 1B | 130 BPM | ||
| Soordasji Nun Pad | Anuradha Paudwal, Ashit Desai, Purshottam Das Jalota, Shubha Joshi, Umesh Vajpai | D Major | 4 | 10B | 165 BPM |