"Sous le dome epais" by Elin Manahan Thomas had its release date on October 17, 2011. With this song being around four minutes long, at 4:21, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Soprano World". In this album, this song's track order is #3. Sous le dome epais is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sous le dome epais by Elin Manahan Thomas having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| St. Matthew Passion, BWV 244 / Part Two: No. 39 Aria (Alto): "Erbarme dich" | Johann Sebastian Bach, Magdalena Kozená, Musica Florea, Marek Stryncl | B Major | 1 | 1B | 167 BPM | ||
| Il giardino di rose: "Mentre io godo" | Alessandro Scarlatti, Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski | B Minor | 0 | 10A | 111 BPM | ||
| Les indes galantes / Nouvelle Entrée: Les Sauvages Scène 6: Danse du Grand Calumet de la Paix (Rondeau) - Forêts paisibles | Jean-Philippe Rameau, Patricia Petibon, Kevin Greenlaw, La Cetra Barockorchester Basel, Andrea Marcon, La Cetra Vocalensemble Basel | F♯ Minor | 3 | 11A | 87 BPM | ||
| Membra Jesu nostri, BuxWV 75: II. Ad genua. Ad ubera portabimini (Tutti) | Dietrich Buxtehude, Purcell Quartet, Emma Kirkby, Elin Manahan Thomas, Michael Chance, Charles Daniels, Peter Harvey, Fretwork | E Major | 1 | 12B | 176 BPM | ||
| Carmina Burana: In trutina | Carl Orff, Lucia Popp, Kurt Eichhorn | E♭ Minor | 1 | 2A | 62 BPM | ||
| Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique": II. Adagio cantabile (Arr. H. Villa-Lobos for Choir) | Ludwig van Beethoven, Orquestra Sinfônica do Estado de São Paulo, Valentina Peleggi | D Major | 0 | 10B | 83 BPM | ||
| Bist du bei mir, BWV 508 (Arie) | Johann Sebastian Bach, Núria Rial, Julia Schröder | D Major | 1 | 10B | 92 BPM | ||
| Barber: Agnus Dei | Samuel Barber, Winchester Cathedral Choir, David Hill | B♭ Minor | 1 | 3A | 71 BPM | ||
| Requiem No. 1 in C Minor: Graduale: Requiem aeternam | Luigi Cherubini, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | G Minor | 1 | 6A | 111 BPM | ||
| A Chloris | Reynaldo Hahn, Pumeza Matshikiza, Aarhus Symphony Orchestra, Tobias Ringborg | E Major | 1 | 12B | 175 BPM | ||
| Love Me Sweet | Marshall McGuire, Carl Vine, Elizabeth Barrett Browning, Jane Edwards | G Minor | 0 | 6A | 170 BPM | ||
| Si, Mi Chiamano Mimì - La Boheme Atto I | Renata Tebaldi | A♭ Minor | 0 | 1A | 76 BPM | ||
| Porgy and Bess, Act I: Summertime | George Gershwin, Kathleen Battle, Orchestra of St. Luke's, André Previn | F♯ Minor | 1 | 11A | 79 BPM | ||
| La Cenerentola / Act 2: "Non più mesta" | Gioachino Rossini, William Matteuzzi, Cecilia Bartoli, Alessandro Corbelli, Enzo Dara, Michele Pertusi, Fernanda Costa, Gloria Banditelli, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | E Major | 3 | 12B | 137 BPM | ||
| Ludus pro Patria, La Nuit et l'Amour: La Nuit et l'Amour: Interlude de l'ode symphonique - Ludus pro Patria | Augusta Holmès, Staatsphilharmonie Rheinland-Pfalz, Patrick Davin | B♭ Major | 0 | 6B | 78 BPM | ||
| Dido & Aeneas, Z. 626, Act I Scene 1: Dido & Belinda - “Whence could so much virtue spring?” | Henry Purcell, Rachael Lloyd, Elin Manahan Thomas, Armonico Consort, Christopher Monks | B Minor | 1 | 10A | 173 BPM | ||
| Ave Maria - Bach Gounod | Hannah Holgersson | G Major | 2 | 9B | 112 BPM | ||
| Hänsel und Gretel: Abends will ich schlafen gehn | Engelbert Humperdinck, Hera Hyesang Park, Emily D'Angelo, Orchestra del Teatro Carlo Felice, Jochen Rieder | F♯ Minor | 2 | 11A | 80 BPM | ||
| Iste Confessor (Secondo) | Claudio Monteverdi, Grace Davidson, Elin Manahan Thomas, Harry Christophers, Orchestra of The Sixteen | C Major | 1 | 8B | 102 BPM | ||
| Requiem, K. 626: Domine Jesu | Wolfgang Amadeus Mozart, Academy of Ancient Music, Stephen Cleobury, Choir of King's College, Cambridge, Elin Manahan Thomas, Christine Rice, James Gilchrist, Christopher Purves | C Minor | 3 | 5A | 98 BPM | ||
| Northern Lights | Ola Gjeilo, Phoenix Chorale, Charles Bruffy | D♭ Minor | 0 | 12A | 67 BPM | ||
| Missa Sancti Josephi, ZWV 14: No. 3 Et in terra pax | Jan Dismas Zelenka, Julia Lezhneva, Daniel Taylor, Jonathan Sells, Kammerchor Stuttgart, Barockorchester Stuttgart, Frieder Bernius | B Minor | 2 | 10A | 89 BPM | ||
| Liebestod | Richard Wagner, Kirsten Flagstad | D♭ Minor | 1 | 12A | 110 BPM | ||
| O del mio dolce ardor | Christoph Willibald Gluck, Holly Bewlay, Sarah Rhee | D Minor | 1 | 7A | 83 BPM | ||
| Requiem, Op. 9: V. Pie Jesu | Maurice Duruflé, Yves Castagnet, Anaïs Bertrand, Anaïs Moreau, Henri Chalet | D Major | 0 | 10B | 67 BPM |