Prayer to the Twenty-One Taras
Chagdud Tulku Rinpoche
Voice of Tibet
1:58 January 1, 1997
BPM
111
Key
D Major
Camelot
10B

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Prayer to the Twenty-One Taras by Chagdud Tulku Rinpoche Song Details

Chagdud Tulku Rinpoche's ' "Prayer to the Twenty-One Taras" was released on its scheduled release date, January 1, 1997. With This song being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Voice of Tibet by Chagdud Tulku Rinpoche. The song's track number on the album is #12 out of 19 tracks. In terms of popularity, Prayer to the Twenty-One Taras is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.

BPM and Tempo

Since Prayer to the Twenty-One Taras by Chagdud Tulku Rinpoche has a tempo of 111 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Prayer to the Twenty-One Taras being at 111 BPM, the half-time would be 56 BPM with a double-time of 222 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 5/4.

Music Key

D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-14.209 dB
Acousticness
98%
Danceability
64%
Energy
18%
Instrumentalness
0%
Liveness
12%
Loudness
76%
Speechiness
24%
Valence
54%

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ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records