Chagdud Tulku Rinpoche's ' "Prayer to the Twenty-One Taras" was released on its scheduled release date, January 1, 1997. With This song being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Voice of Tibet by Chagdud Tulku Rinpoche. The song's track number on the album is #12 out of 19 tracks. In terms of popularity, Prayer to the Twenty-One Taras is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Since Prayer to the Twenty-One Taras by Chagdud Tulku Rinpoche has a tempo of 111 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Prayer to the Twenty-One Taras being at 111 BPM, the half-time would be 56 BPM with a double-time of 222 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 5/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Raat Ko | Tanpura Express | F Major | 6 | 7B | 214 BPM | ||
| 100 Syllable Mantra Of Vajrasattva Bodhisattva - Power Chanting | Meditation Melody | A♭ Major | 2 | 4B | 128 BPM | ||
| Dedicational Prayer | Tibetan Monks Of Gaden Shartse, Corciolli | A♭ Major | 3 | 4B | 79 BPM | ||
| 祈願、回向 | 蔣康袓古仁波切 | F Major | 2 | 7B | 81 BPM | ||
| Suryopanishath | Shastry Brothers | E♭ Major | 5 | 5B | 141 BPM | ||
| Om Shri Mahalaxmi Namah | Spiritual Mantra's | G Major | 1 | 9B | 147 BPM | ||
| Invocación Linaje de Maestros | Lama Dorje | D Major | 4 | 10B | 118 BPM | ||
| ปุพพภาคนมการ - Version 1 | Ocean Media | D Minor | 2 | 7A | 90 BPM | ||
| Om Ah Hum Benzar Guru Padma Siddhi Hum | Dharma Publishing | D♭ Minor | 1 | 12A | 171 BPM | ||
| Sept vers au précieux maître | Lama Gyurme, Jean-Philippe Rykiel | E♭ Minor | 2 | 2A | 98 BPM | ||
| Everlasting Life | Laufred | G Major | 0 | 9B | 141 BPM | ||
| Homage To The 21 Taras | Lama Michel Rinpoche, United Peace Voices | B Major | 0 | 1B | 127 BPM | ||
| Track II Tranquility | Professor Yoland Lim Health Care | F♯ Major | 6 | 2B | 120 BPM | ||
| Tapihritsa Prayer | Menri Ponlob Trinley Nyima Rinpoche | D♭ Minor | 0 | 12A | 78 BPM | ||
| Tashi tashi | Bishwo Shahi, Dawa Gurung, Miriam Nelken, Rubin Kumar Shrestha | D♭ Major | 5 | 3B | 158 BPM | ||
| Shiva Pranam | Naren K. Schreiner | B Minor | 1 | 10A | 84 BPM | ||
| Have Mercy | Vincent Kompa | E Major | 1 | 12B | 68 BPM | ||
| Ganesh | Nadav | F Major | 1 | 7B | 118 BPM | ||
| Samadhi Padah | T.K.V.Desikachar | E Major | 2 | 12B | 99 BPM | ||
| 100 Syllable Mantra | Jamyang Sakya | E♭ Major | 2 | 5B | 88 BPM | ||
| 本尊回向文~朝のおつとめ~ | 曹洞宗大本山永平寺維那, 曹洞宗大本山総持寺維那 | B Major | 0 | 1B | 83 BPM | ||
| Tanpura Anahata Meditation in G# | Bagno Armonico | D♭ Major | 0 | 3B | 83 BPM | ||
| Return | AGBOBO | D Major | 1 | 10B | 138 BPM | ||
| Om Shaneeshwaraaya Namaha 108 Times | Powerofmantra | C Major | 2 | 8B | 181 BPM | ||
| Vajrapani (Power) | Lama Tashi | E Major | 2 | 12B | 120 BPM |