"Too Far" by B-Side Theory had its release date on January 1, 2002. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 11 out of 13 in Everything Real Was Yesterday by B-Side Theory. Based on our statistics, Too Far's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Too Far by B-Side Theory is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ducked Out | Five Foot Thick | D♭ Major | 8 | 3B | 95 BPM | ||
| Absolute | Boredline | B Major | 9 | 1B | 110 BPM | ||
| Pico De Gallo | Full Power | A♭ Major | 9 | 4B | 100 BPM | ||
| The Prospect Of Being Alone | Kilkus | G Major | 9 | 9B | 101 BPM | ||
| Connected | Spyndakit | D♭ Major | 9 | 3B | 110 BPM | ||
| Pathetic | Hedshel | C Major | 9 | 8B | 106 BPM | ||
| Before I Fall | Str8jackit | A♭ Major | 9 | 4B | 110 BPM | ||
| Withered | enemy of? | E Minor | 8 | 9A | 96 BPM | ||
| Dreaming Escape | Arizing | D♭ Major | 9 | 3B | 115 BPM | ||
| Inside Out | Shuvel | A♭ Major | 9 | 4B | 111 BPM | ||
| The Hard Way | Ph8 | D♭ Major | 8 | 3B | 164 BPM | ||
| Soul Devour | Plastique | D♭ Minor | 9 | 12A | 142 BPM | ||
| Kill Control | Skrape | A♭ Major | 9 | 4B | 99 BPM | ||
| FUKULOW | UZUMAKI | G Major | 10 | 9B | 111 BPM | ||
| Too Late | CrowneVict | G Major | 8 | 9B | 107 BPM | ||
| Pieces | Cheva | D♭ Major | 9 | 3B | 100 BPM | ||
| Road Apple | VICTIM-Columbus Ohio | D♭ Major | 7 | 3B | 104 BPM | ||
| Whore | Geek | D♭ Major | 9 | 3B | 92 BPM | ||
| Now I See The Light | Hinge | D Minor | 7 | 7A | 141 BPM | ||
| Fool In the Mirror | No Blindfold | F Minor | 9 | 4A | 79 BPM | ||
| All You Ever Want | Slaves on Dope | D Major | 6 | 10B | 93 BPM | ||
| No More! | No Blindfold | E Major | 8 | 12B | 109 BPM | ||
| Nangijala | Headplate | G Major | 9 | 9B | 154 BPM | ||
| Malos Recuerdos | Sr Zombra | D♭ Minor | 5 | 12A | 176 BPM | ||
| Breathe | B-Side Theory | G Minor | 7 | 6A | 129 BPM |