Harry Reser's ' "Frosted Chocolate" was released on its scheduled release date, January 1, 1992. The duration of This song is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Frosted Chocolate's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 14 in Banjo Crackerjax 1922-1930 by Harry Reser. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Frosted Chocolate's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Frosted Chocolate by Harry Reser is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Too Marvelous for Words | Dick Robertson And His Orchestra | F Minor | 3 | 4A | 207 BPM | ||
| Close Fit Blues | Clarence Williams, Memphis Jazzers | F Major | 2 | 7B | 102 BPM | ||
| When I Take My Sugar to Tea | Bunny Berigan, Frank Auburn & His Orchestra | B♭ Major | 1 | 6B | 85 BPM | ||
| Ain't We Got Fun | Fanny Brice | G Major | 2 | 9B | 67 BPM | ||
| Gotta Be This or That | Joe Loss & His Orchestra, Elizabeth Batey | B♭ Major | 2 | 6B | 175 BPM | ||
| Russian Lullaby | Roger Wolfe Kahn & His Orchestra | F♯ Minor | 2 | 11A | 127 BPM | ||
| Peckin' | Ben Pollack & His Orchestra | F Minor | 4 | 4A | 181 BPM | ||
| Watching the Clouds Roll By | Harry Reser | D♭ Major | 6 | 3B | 111 BPM | ||
| Play Me a Frigid Air | Sid Peltyn and His Orchestra | C Minor | 1 | 5A | 82 BPM | ||
| South 2 | Bennie Moten's Kansas City Orchestra | E♭ Major | 4 | 5B | 178 BPM | ||
| The Panic is On | Mezz Mezzrow And His Swing Band | F Major | 6 | 7B | 123 BPM | ||
| Spanish Shawl | Edwin J. McEnelly's Orchestra | A♭ Minor | 3 | 1A | 120 BPM | ||
| Plain Dirt | McKinney's Cotton Pickers | D Minor | 8 | 7A | 123 BPM | ||
| To Whom It May Concern (Recorded 1931) | Bert Lown and His Hotel Biltmore Orchestra | C Minor | 2 | 5A | 160 BPM | ||
| Copyin' Louis | Jack Purvis | A♭ Major | 3 | 4B | 111 BPM | ||
| Sweet Sue-Just You | Ben Pollack, Ben Pollack's Californians | F Major | 1 | 7B | 179 BPM | ||
| Bye Bye Blackbird | George Olsen | A♭ Major | 1 | 4B | 111 BPM | ||
| My One and Only | Harry Reser | B Major | 6 | 1B | 113 BPM | ||
| Dusting The Donkey - aka "The Pay-Off" | The Golden Gate Orchestra | C Major | 4 | 8B | 113 BPM | ||
| You've Got Me Out On a Limb | Charlie Barnet | D Major | 3 | 10B | 132 BPM | ||
| Feelin' no pain | Miff Mole & His Little Molers, Miff Mole | C Minor | 7 | 5A | 118 BPM | ||
| You Don't Know My Mind | Teddy Grace, Charlie Shavers | F Minor | 10 | 4A | 113 BPM | ||
| Clean as a Whistle | Tom Coakley And His Orchestra | F Major | 4 | 7B | 211 BPM | ||
| I Must Have It | King Oliver | A Major | 3 | 11B | 135 BPM | ||
| Oh, Baby! | Hal Kemp And His Orchestra | A♭ Major | 2 | 4B | 176 BPM |