Gary P. Nunn's ' "Taking Texas To The Country" was released on its scheduled release date, April 13, 2010. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "Taking Texas To The Country". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United States. Based on our statistics, Taking Texas To The Country's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Taking Texas To The Country by Gary P. Nunn having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| New Cut Road | Bobby Bare | B Major | 3 | 1B | 121 BPM | ||
| Prove Me Right | Radney Foster | D Major | 8 | 10B | 123 BPM | ||
| The Beer Song | Doug Moreland | G Major | 8 | 9B | 133 BPM | ||
| Drunk in Mexico | Max Stalling | C Major | 5 | 8B | 107 BPM | ||
| That's Right (You're Not From Texas) | Lyle Lovett | F Minor | 6 | 4A | 128 BPM | ||
| Whiskey Bent & Hell Bound | Cooder Graw | G Major | 6 | 9B | 107 BPM | ||
| Real Small Town | Adam Hood | G Major | 7 | 9B | 88 BPM | ||
| Rayne, Louisiana | Bruce Robison | E Major | 5 | 12B | 74 BPM | ||
| The Trouble with Drinkin' | John Baumann | E Major | 7 | 12B | 76 BPM | ||
| The Only Thing She Left Me Was the Blues | Eleven Hundred Springs | E Major | 7 | 12B | 140 BPM | ||
| Take Me Out To A Dancehall | Pat Green | G Major | 8 | 9B | 132 BPM | ||
| Adios Amigo | Gary P. Nunn | F Major | 7 | 7B | 112 BPM | ||
| Henhouse | Ray Wylie Hubbard | D Major | 7 | 10B | 127 BPM | ||
| Ready to Throw | Six Market Blvd. | D Major | 7 | 10B | 120 BPM | ||
| Fit for the King | Kyle Park | E Major | 8 | 12B | 113 BPM | ||
| Honky Tonk Crowd | Rick Trevino | Dâ™ Major | 8 | 3B | 149 BPM | ||
| I Wouldn't Tell You No Lie | The Tractors | G Major | 8 | 9B | 170 BPM | ||
| Truck Stop at the End of the World | Bill Kirchen | G Major | 8 | 9B | 110 BPM | ||
| Bull Mountain Bridge | Paul Thorn | F Major | 6 | 7B | 106 BPM | ||
| July, You're a Woman | Micky & The Motorcars | G Major | 5 | 9B | 141 BPM | ||
| Since You've Been Gone | Gary P. Nunn | G Major | 5 | 9B | 127 BPM | ||
| Texas Home | Prophets and Outlaws | C Major | 5 | 8B | 185 BPM | ||
| Down In San Antonio | Gary P. Nunn | C Major | 7 | 8B | 128 BPM | ||
| Hills and Valleys | The Buffalo Ruckus | D Major | 7 | 10B | 147 BPM | ||
| Three Days Straight | Ray Wylie Hubbard | D Minor | 7 | 7A | 183 BPM |