"The Real Mule" by Sebastian Kauderer, Emilio Kauderer had its release date on June 10, 2014. The duration of This song is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. The Real Mule's duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 14 in Border Run (Original Motion Picture Soundtrack) by Sebastian Kauderer, Emilio Kauderer. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. The Real Mule is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Real Mule by Sebastian Kauderer, Emilio Kauderer is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| And Just Like That | Abel Korzeniowski | A♭ Major | 1 | 4B | 94 BPM | ||
| I Can’t See You | Jay Wadley | D Minor | 0 | 7A | 64 BPM | ||
| The Call | Emilio Kauderer, Federico Jusid, Sebastian Kauderer | D Minor | 1 | 7A | 70 BPM | ||
| A Model of the Universe | Jóhann Jóhannsson | G Minor | 0 | 6A | 90 BPM | ||
| Margarita | Arnau Bataller, Simon Smith | E Major | 1 | 12B | 99 BPM | ||
| All Boundaries Are Conventions | Tom Tykwer, Johnny Klimek, Reinhold Heil | C Major | 1 | 8B | 55 BPM | ||
| Waves of Solace | Celtroya | E Minor | 3 | 9A | 119 BPM | ||
| Opening Title - From "Dear Frankie" | Alex Heffes | A Major | 3 | 11B | 67 BPM | ||
| Love Feelings | Annette Focks | D Minor | 1 | 7A | 84 BPM | ||
| Luna Mia Cara (Instrumental) | Brice Davoli | C Major | 3 | 8B | 94 BPM | ||
| The Endless River | Anne Dudley | D♭ Minor | 2 | 12A | 79 BPM | ||
| Hungry Mina | Nicola Piovani | G Major | 0 | 9B | 68 BPM | ||
| Eternal Story | Philippe Lhommet | C Major | 3 | 8B | 119 BPM | ||
| La notte di San Lorenzo | Nicola Piovani | A Minor | 0 | 8A | 123 BPM | ||
| Fields of Gold | Miljan Minic, Chords And Hearts | G Minor | 0 | 6A | 67 BPM | ||
| Marina's Theme - The Wildflowers | Hanan Townshend | D♭ Minor | 1 | 12A | 92 BPM | ||
| Clair De Lune - Instrumental Score | Marvin Hamlisch | D♭ Major | 1 | 3B | 141 BPM | ||
| Trunk Greeting | Alex Heffes | E♭ Major | 0 | 5B | 51 BPM | ||
| Opener | Annette Focks | G Minor | 0 | 6A | 55 BPM | ||
| Baby Sleep Music | baby beethoven music, Mozart Lullabies | B♭ Major | 1 | 6B | 126 BPM | ||
| Epilogue Pt. 3 | Danny Bensi and Saunder Jurriaans | C Major | 3 | 8B | 81 BPM | ||
| I Lived Here | Martin Phipps | A Minor | 1 | 8A | 96 BPM | ||
| Spiegel im Spiegel, for Cello & Piano | Arvo Pärt, Sebastian Klinger, Jürgen Kruse | F Major | 0 | 7B | 84 BPM | ||
| Memories (da Montalbano 2) | Franco Piersanti, Czech National Symphony Orchestra | B♭ Major | 1 | 6B | 102 BPM | ||
| Culinary Harmony | Estoria | E♭ Minor | 1 | 2A | 60 BPM |