"El amor brujo (Piano Version): No. 1, Pantomina" by Manuel de Falla, Wilhem Latchoumia had its release date on October 21, 2016. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 10 out of 19 in Falla: Solo Piano Works by Manuel de Falla, Wilhem Latchoumia. Going off of the ISRC code of this track, we detected that the origin of this track is from France. El amor brujo (Piano Version): No. 1, Pantomina is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of El amor brujo (Piano Version): No. 1, Pantomina by Manuel de Falla, Wilhem Latchoumia is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Piano Quartet in E-Flat Major, Op. 47: III. Andante cantabile | Robert Schumann, Alexander Melnikov, Jerusalem Quartet | B♭ Major | 0 | 6B | 74 BPM | ||
| 12 Danzas españolas, Op. 37: 1. Galante - Minueto | Enrique Granados, Alicia de Larrocha | G Major | 0 | 9B | 143 BPM | ||
| Iberia - Piano (Pub.1906) - Book 1: 3. Fête - Dieu à Seville | Isaac Albéniz, Alicia de Larrocha | F♯ Major | 1 | 2B | 128 BPM | ||
| Concerto for Clarinet and Orchestra No. 3 in F Major "Il Mezzetino": III. Andante | Antonio Vivaldi, Martin Fröst, Concerto Köln | E Minor | 0 | 9A | 119 BPM | ||
| Liebesleid, Old Viennese Dance No. 2 (Arr. Fougeray for Violin and Guitar) | Fritz Kreisler, María Dueñas, Raphaël Feuillâtre | A Major | 1 | 11B | 99 BPM | ||
| Violin Concerto No. 1 in G Minor, Op. 26: I. Allegro moderato | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | E♭ Major | 2 | 5B | 99 BPM | ||
| 6 Impromptus, Op. 5: Impromptu VI | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 62 BPM | ||
| Songs Without Words, Book VI Opus 67: No. 2 in F-Sharp Minor | Felix Mendelssohn, Bertrand Chamayou | F♯ Minor | 1 | 11A | 69 BPM | ||
| El Amor brujo: Quadre Primer: Escena | Manuel de Falla, Ginesa Ortega, Josep Pons, Orquestra De Cambra Teatre Lliure | D Minor | 0 | 7A | 107 BPM | ||
| 3 Romances, Op. 22: 1. Andante molto | Clara Schumann, Elena Urioste, Isata Kanneh-Mason | D♭ Major | 0 | 3B | 168 BPM | ||
| Reflection No. 2 | Camille Thomas, Julien Brocal | C Major | 1 | 8B | 141 BPM | ||
| Hier encore (Arr. for Cello and Orchestra by Mathieu Herzog) | Camille Thomas, Sergey Smbatyan, Armenian State Symphony Orchestra | D Minor | 1 | 7A | 100 BPM | ||
| Poulenc: Concerto for Two Pianos in D Minor, FP 61: I. Allegro ma non troppo | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | E♭ Major | 1 | 5B | 103 BPM | ||
| Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
| Morceaux de fantaisie, Op. 3: No. 1 Elegie | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | E♭ Minor | 1 | 2A | 102 BPM | ||
| Gluck: Orfeo ed Euridice, Wq. 30, Act 2: Dance of the Blessed Spirits (Transcr. Kreisler & Moreau for Cello and Piano) | Christoph Willibald Gluck, Edgar Moreau, Pierre-Yves Hodique | B Major | 0 | 1B | 64 BPM | ||
| Orfeo ed Euridice (Orphée et Eurydice) - Arranged By Wilhelm Kempff: La Plainte d'Orphée (Ballet) | Christoph Willibald Gluck, Wilhelm Kempff | D Minor | 0 | 7A | 79 BPM | ||
| Improvisation No. 3 | Gabriela Montero | D Major | 2 | 10B | 113 BPM | ||
| String Quartet No. 8 in C Minor, Op. 110: I. Largo | Dmitri Shostakovich, Borodin Quartet | C Minor | 1 | 5A | 114 BPM | ||
| Schluss | Fanny Mendelssohn, Heather Schmidt | E Major | 1 | 12B | 87 BPM | ||
| Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | E Major | 1 | 12B | 82 BPM | ||
| 3 Romances, Op. 11: No. 3, Moderato | Clara Schumann, Isata Kanneh-Mason | A♭ Major | 0 | 4B | 73 BPM | ||
| Orgia: Danzas Fantásticas | Orquesta Sinfónica De Radio Hamburgo, Joaquín Turina, Ferdinand Canonovich | A Major | 3 | 11B | 167 BPM | ||
| Violin Concerto In D, Op.35, TH. 59: 2. Canzonetta (Andante) | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 103 BPM | ||
| Nana | Manuel de Falla, Martin Fröst, Royal Stockholm Philharmonic Orchestra | A Minor | 0 | 8A | 113 BPM |