- BPM
- 90
- Key
- A Minor
- Camelot
- 8A
Concerto andaluso, RZ 227: II. Malagueñas. Allegretto by Riccardo Zandonai, Stefano Guarino, Orchestra da Camera di Trento, Giancarlo Guarino Song Details
"Concerto andaluso, RZ 227: II. Malagueñas. Allegretto" by Riccardo Zandonai, Stefano Guarino, Orchestra da Camera di Trento, Giancarlo Guarino had its release date on July 1, 2014. This song is about six minutes long, preciously at 5:35, making this song fairly long compared to other songs. There are a total of 29 in the song's album "Riccardo Zandonai: Musica da camera e per piccola orchestra". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Italy. In terms of popularity, Concerto andaluso, RZ 227: II. Malagueñas. Allegretto is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Concerto andaluso, RZ 227: II. Malagueñas. Allegretto by Riccardo Zandonai, Stefano Guarino, Orchestra da Camera di Trento, Giancarlo Guarino having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
Music Key
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -25.24 dB
- Acousticness
- 97%
- Danceability
- 20%
- Energy
- 6%
- Instrumentalness
- 80%
- Liveness
- 9%
- Loudness
- 58%
- Speechiness
- 4%
- Valence
- 6%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Petite messe solennelle: Quoniam | Gioachino Rossini, Orchestre de chambre de Paris, Ottavio Dantone, Alexander Vinogradov | A Major | 2 | 11B | 124 BPM | |
 | Bolivar, Op. 236: Berceuse | Darius Milhaud, Orchestre De La Société Des Concerts Du Conservatoire, Janine Micheau | B Minor | 2 | 10A | 84 BPM | |
 | Gianni Schicchi: "Prima un avvertimento!" | Giacomo Puccini, Leo Nucci, Ewa Podles, Roberto Alagna, Ricardo Cassinelli, Barbara Frittoli, Barbara Guerrini, Giorgio Giorgetti, Enrico Fissore, Orazio Mori, Nicoletta Curiel, Coro Di Voci Bianchi "Guido Monaco" Di Prato, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | G Major | 1 | 9B | 151 BPM | |
 | Manon Lescaut, Act II: "Tu, tu, amore? Tu?" | Giacomo Puccini, Jonas Kaufmann, Anna Netrebko, Asher Fisch, Orchestra del Teatro Comunale di Bologna | D♭ Major | 2 | 3B | 62 BPM | |
 | Cendrillon: Faites-vous très belles | Jules Massenet, Philharmonia Orchestra, Julius Rudel | B♭ Major | 1 | 6B | 115 BPM | |
 | Madama Butterfly, Act III: Già il sole! - 2025 Remaster | Giacomo Puccini, Christa Ludwig, Mirella Freni, Wiener Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 180 BPM | |
 | Priceless | Yakubu | E Major | 1 | 12B | 103 BPM | |
 | La traviata / Act 2: "Di sprezzo degno se stesso rende" | Giuseppe Verdi, Juan Pons, Luciano Pavarotti, Wendy White, Anthony Laciura, Bruno Pola, Julien Robbins, Jeffrey Wells, Metropolitan Opera Chorus, John Keenan, Metropolitan Opera Orchestra, James Levine | E♭ Major | 1 | 5B | 88 BPM | |
 | Penella: Don Gil de Alcalá: "Bendita cruz" | Lisette Oropesa, Óliver Díaz, Orquesta Sinfonica de Madrid | D Major | 1 | 10B | 81 BPM | |
 | Lucia di Lammermoor / Act 2: "Al ben de'tuoi qual vittima" | Gaetano Donizetti, Dame Joan Sutherland, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | A Major | 1 | 11B | 109 BPM | |
 | Don Pasquale, Act I Prima scena: Son nov'ore (Pasquale/Malatesta) | Gaetano Donizetti, Sesto Bruscantini/Leo Nucci/Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, Philharmonia Orchestra | C Major | 1 | 8B | 111 BPM | |
 | Tosca, Act I: Un tal baccano in chiesa! Bel rispetto! | Giacomo Puccini, Matteo Macchioni, Ludovic Tezier, Davide Giangregorio, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding | E♭ Minor | 3 | 2A | 135 BPM | |
 | No. Sei un fanciullo | Riccardo Zandonai, Gianandrea Gavazzeni | C Major | 2 | 8B | 77 BPM | |
 | La Wally: Acto I: "Ebbene, ne Andró Lontana" | Victoria de los Ángeles | E Minor | 2 | 9A | 83 BPM | |
 | Francesca da Rimini: Giulietta, son io! | Riccardo Zandonai, Mario del Monaco, The New Symphony Orchestra Of London, Alberto Erede | A Minor | 3 | 8A | 81 BPM | |
 | Carmen / Act 1: "Monsieur le brigadier?" / Duo:"Parle-moi de ma mère!" | Georges Bizet, Katia Ricciarelli, José Carreras, Jean Barney, Danièle Ajoret, Berliner Philharmoniker, Herbert von Karajan | C Minor | 0 | 5A | 81 BPM | |
 | Simon Boccanegra, Prologue: L'altra magion vedete? | Giuseppe Verdi, José van Dam, Giovanni Foiani, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | D Major | 1 | 10B | 94 BPM | |
 | Humperdinck : Hänsel und Gretel : Act 3 "Ich bin Rosine Leckermaul" [The Nibblewitch, Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | D Major | 2 | 10B | 75 BPM | |
| Humperdinck : Hänsel und Gretel : Act 3 "Mir ist so wohl, ich weiss nicht wie!" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | A♭ Major | 0 | 4B | 116 BPM | |
 | Cavalleria rusticana: A casa, a casa | Pietro Mascagni, Adriane Martino, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | B♭ Major | 3 | 6B | 74 BPM | |
 | Conchita: Pappagallesse, chiudete il becco! | Riccardo Zandonai, Lisa Houben, David Banos Marin, Camilla Antonini, Gabriela Aleo, Filippo Arlia, Orchestra Filarmonica della Calabria, Francesco Costa, Coro Lirico Siciliano | D♭ Major | 2 | 3B | 139 BPM | |
 | Francesca da Rimini, Act IV: Mia cara donna, voi m'attendevate? (Live) | Riccardo Zandonai, Orchestra Del Teatro Alla Scala, Milano, Giampiero Malaspina, Magda Olivero, Gianandrea Gavazzeni | E♭ Major | 5 | 5B | 140 BPM | |
| Carmen / Act 1: Votre mère avec moi sortait de la chapelle | Georges Bizet, Katia Ricciarelli, José Carreras, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 129 BPM | |
 | Verdi: Il Trovatore: Il balen del suo sorriso - Conte - Act Two Scene Two | Giuseppe Verdi, Piero Cappuccilli | G Major | 4 | 9B | 164 BPM | |
 | Ariane et Barbe-bleue, Act I: Prenez-les! - Penchez-vous! (the Nurse, Ariane) | Paul Dukas, Marilyn Schmiege, Roderick Kennedy, Jocelyne Taillon, Cynthia Buchan, Monique Baudoin, Mitsuko Shirai, Francine Laurent, Josef Otten, Jörg Pavelec, Franz Gerihsen, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini | F♯ Major | 4 | 2B | 91 BPM |
- ISRC
- ITD553000607
- Label
- L-M Records/RCA Records