Petit Allegro 3 "Cygnets"-Long Version (Excerpt from Swan Lake, Op.20) by Pyotr Ilyich Tchaikovsky, Rob Thaller Song Details

On February 15, 2016, the song "Petit Allegro 3 "Cygnets"-Long Version (Excerpt from Swan Lake, Op.20)" was released by Pyotr Ilyich Tchaikovsky, Rob Thaller. With This song being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 43 in the song's album "Rep Music for Ballet Pointe Class". In this album, this song's track order is #39. Furthermore, we believe that the track originated from United States. The popularity of Petit Allegro 3 "Cygnets"-Long Version (Excerpt from Swan Lake, Op.20) is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

BPM and Tempo

With Petit Allegro 3 "Cygnets"-Long Version (Excerpt from Swan Lake, Op.20) by Pyotr Ilyich Tchaikovsky, Rob Thaller having a BPM of 195 with a half-time of 98 BPM and a double-time of 390 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.

Music Key

This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 7%
Loudness: -17.524 dB
Acousticness: 99%
Danceability: 58%
Energy: 41%
Instrumentalness: 96%
Liveness: 12%
Loudness: 71%
Speechiness: 12%
Valence: 90%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
The Sleeping Beauty, Op. 66 : Pas D'action: (A) Adagio (Rose Adagio)	Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice	E♭ Major	3	5B	144 BPM
Requiem In D Minor, K. 626: Sequence: VI. Lacrimosa Dies Illa	Slovak Philharmonic, Jaroslava Horska, Vladimir Ruso, Peter Mikulas, Stefan Klimo, Slovak Philharmonic Chorus, Jozef Kundlák, Magdaléna Hajóssyová, Wolfgang Amadeus Mozart	D Minor	1	7A	180 BPM
Tchaikovsky: Swan Lake, Op. 20, Act I: Introduction - No. 1, Scene. Allegro giusto	Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra	D Major	3	10B	75 BPM
Vremena Goda (The Seasons), Op. 67: Summer: Waltz of the Cornflowers and the Poppies	Alexander Glazunov, Slovak Radio Symphony Orchestra	D Major	1	10B	100 BPM
Violin Concerto No. 2 in B Minor, Op. 7, "La campanella": III. Rondo	Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend	B Minor	2	10A	105 BPM
Giselle: Act II: Ensemble des Wilis	Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia	A♭ Major	0	4B	89 BPM
The Sorcerer's Apprentice	Philharmonia Orchestra	D♭ Major	2	3B	130 BPM
Ein Sommernachtstraum, Op. 61, MWV M13: Act III: Nocturne	Felix Mendelssohn, Slovak Philharmonic, Anthony Bramall	E Major	0	12B	59 BPM
Piano Concerto No. 2 in F Major, Op. 102: II. Andante	Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich	C Minor	0	5A	177 BPM
Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto	Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli	G Major	2	9B	87 BPM
Petrushka: Danse Russe	Robert Groslot, Belgian Radio and Television Philharmonic Orchestra, Igor Stravinsky	D Minor	5	7A	80 BPM
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia	Aram Khachaturian, London Symphony Orchestra	A♭ Major	1	4B	88 BPM
Symphony No.2 in C minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Wie zu Anfang	Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan	E♭ Major	1	5B	82 BPM
Tales from the Vienna Woods - Waltz Op. 325	Johann Strauss II, Hallé, Bryden Thomson	F Major	0	7B	181 BPM
Waltz Suite, Op. 110: VI. Happiness (From Cinderella, Op. 87)	Sergei Prokofiev, Orquestra Sinfônica do Estado de São Paulo, Marin Alsop	D Major	1	10B	141 BPM
Má vlast, JB 1:112: II. Vltava "The Moldau"	Bedřich Smetana, Chicago Symphony Orchestra, Daniel Barenboim	G Major	1	9B	142 BPM
Pelléas et Mélisande, Op.80: 3. Sicilienne	Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner	G Minor	0	6A	111 BPM
Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian": III. Con moto moderato	Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado	A Major	0	11B	69 BPM
Petite suite, L. 65: No. 1, En bateau (Orch. H. Buser)	Claude Debussy, フランス国立リヨン管弦楽団, 準・メルクル	E♭ Major	1	5B	92 BPM
Don Quixote, Act IV: Quiteria's Variation	Valery Zhelobinsky, Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov	A Major	1	11B	102 BPM
Tchaikovsky: Swan Lake, Op. 20, Act 4: No. 28, Scene. Allegro agitato	Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra	A♭ Minor	2	1A	76 BPM
St. Paul's Suite, Op. 29 No. 2, H 118: 4. Finale (The Dargasson): Allegro	Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood	E♭ Minor	1	2A	100 BPM
Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo	Ludwig van Beethoven, Philadelphia Orchestra, Riccardo Muti	F♯ Major	0	2B	88 BPM
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommes	Alexander Borodin, Anima Eterna, Jos Van Immerseel	A Major	0	11B	87 BPM
Waltz in C-sharp minor, Op. 64 No. 2	Frédéric Chopin, Khatia Buniatishvili	D♭ Minor	0	12A	96 BPM