"I Was Lost" by Gordon Sandison had its release date on August 10, 1999. The duration of This song is about 3 minutes long, at 3:27. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 19 in the song's album "Nightingale: Complete Recording (Original London Cast)". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. I Was Lost is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With I Was Lost by Gordon Sandison having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rossini: Petite messe solennelle: VII. Quoniam tu solus Sanctus | Gioachino Rossini, Antonio Pappano, Alex Esposito, Daniele Rossi, Orchestra dell'Accademia Nazionale di Santa Cecilia | A♭ Major | 0 | 4B | 125 BPM | ||
| Puccini: Tosca, Act 1 Scene 6: "È buona la mia Tosca" (Cavaradossi, Angelotti, Sagrestano, Chorus) | Giacomo Puccini, Carlo Bergonzi, Georges Prêtre, Orchestre De La Société Des Concerts Du Conservatoire | E♭ Minor | 5 | 2A | 82 BPM | ||
| Peter Grimes, Op. 33 / Prologue: "You Sailed Your Boat" | Benjamin Britten, Owen Brannigan, Sir Peter Pears, Lauris Elms, David Kelly, Claire Watson, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden | B♭ Major | 1 | 6B | 94 BPM | ||
| L'elisir d'amore / Act I: "Una parola, Adina" | Gaetano Donizetti, Kathleen Battle, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Major | 0 | 6B | 114 BPM | ||
| Lehár: La veuve joyeuse, Act I: Finale. "Cotillon, c'est l'heure du cotillon" - "C'est la valse, écoutez" | Franz Lehár, Yvon Leenart, André Mallabrera, Christos Grigoriou, Choeurs Rene Duclos, Jean Christophe Benoit, Michel Dens, Micheline Dax, Suzanne Lafaye, Orchestre De La Société Des Concerts Du Conservatoire | B Minor | 1 | 10A | 97 BPM | ||
| La Boheme: Acto III: "Donde Lieta Usce" | Victoria de los Ángeles | D♭ Major | 1 | 3B | 98 BPM | ||
| Der Rosenkavalier, Op. 59 TrV 227, Act II: Jetzt aber kommt mein Herr Zukünftiger (Live) | Richard Strauss, Ann Murray, Anna Tomowa-Sintow, Kurt Moll, Alan Opie, Barbara Bonney, Jennifer Rhys-Davies, John Dobson, Gordon Sandison, Paul Crook, Leah-Marian Jones, Bonaventura Bottone, Royal Opera House Chorus, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Andrew Davis | E Major | 1 | 12B | 84 BPM | ||
| Così fan tutte, K. 588 / Act II: "In qual fiero contrasto" | Wolfgang Amadeus Mozart, Rolando Villazón, Chamber Orchestra of Europe, Yannick Nézet-Séguin | C Minor | 1 | 5A | 49 BPM | ||
| Trial by Jury: I Love Him | Gilbert & Sullivan Society of Houston | G Major | 3 | 9B | 75 BPM | ||
| L'elisir d'amore / Act II: "Saria possibile?" | Gaetano Donizetti, Metropolitan Opera Chorus, David Stivender, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | B Major | 0 | 1B | 119 BPM | ||
| Show Boat, Act Two Scene Six: Let's make the new year far from a blue year | Jerome Kern, John McGlinn/London Sinfonietta/Ambrosian Chorus/Frederica von Stade/Jerry Hadley/Teresa Stratas/Bruce Hubbard/Karla Burns/David Garrison/Paige O'Hara/Robert Nichols/Nancy Kulp/Lillian Gish, John McGlinn, London Sinfonietta | G Major | 4 | 9B | 132 BPM | ||
| Der Rosenkavalier, Op. 59 TrV 227, Act I: Da geht er hin (Live) | Richard Strauss, Ann Murray, Anna Tomowa-Sintow, Kurt Moll, Alan Opie, Barbara Bonney, Jennifer Rhys-Davies, John Dobson, Gordon Sandison, Paul Crook, Leah-Marian Jones, Bonaventura Bottone, Royal Opera House Chorus, Covent Garden, Orchestra of the Royal | E Major | 1 | 12B | 84 BPM | ||
| Bellini: I puritani: "Suoni la tromba" (Giorgio, Riccardo) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Gianni Schicchi: "Quale aspetto sgomento e desolato!" | Giacomo Puccini, Leo Nucci, Roberto Alagna, Mirella Freni, Ricardo Cassinelli, Ewa Podles, Barbara Frittoli, Barbara Guerrini, Giorgio Giorgetti, Enrico Fissore, Orazio Mori, Nicoletta Curiel, Coro Di Voci Bianchi "Guido Monaco" Di Prato, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | D♭ Major | 2 | 3B | 138 BPM | ||
| La Bohème / Act 1: "Si sente meglio?" - Live | Giacomo Puccini, Anna Netrebko, Rolando Villazón, Bavarian Radio Symphony Orchestra, Bertrand de Billy | E Major | 2 | 12B | 91 BPM | ||
| Spontini: La Vestale, Act III: "Qu’ai-je vu! Quels apprêts" (Licinius) | Gaspare Spontini, Michael Spyres, Marko Letonja, Orchestre Philharmonique De Strasbourg | E♭ Major | 3 | 5B | 150 BPM | ||
| Der Rosenkavalier, Op. 59 TrV 227, Act I: I komm' glei! (Live) | Richard Strauss, Ann Murray, Anna Tomowa-Sintow, Kurt Moll, Alan Opie, Barbara Bonney, Jennifer Rhys-Davies, John Dobson, Gordon Sandison, Paul Crook, Leah-Marian Jones, Bonaventura Bottone, Royal Opera House Chorus, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Andrew Davis | E Major | 1 | 12B | 84 BPM | ||
| Ariane et Barbe-bleue, Act I: A mort! A mort! - L'avezvous vue dans le carrosse? (Voices of the Crowd, Single Voices) | Paul Dukas, Marilyn Schmiege, Roderick Kennedy, Jocelyne Taillon, Cynthia Buchan, Monique Baudoin, Mitsuko Shirai, Francine Laurent, Josef Otten, Jörg Pavelec, Franz Gerihsen, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini | E Major | 0 | 12B | 87 BPM | ||
| Peter Grimes, Op.33 / Act 1: "Hi! Give Us a Hand" | Benjamin Britten, Sir Peter Pears, Raymond Nilsson, James Pease, Jean Watson, Geraint Evans, David Kelly, Orchestra of the Royal Opera House, Covent Garden | E♭ Major | 2 | 5B | 133 BPM | ||
| Puccini : La bohème : Act 2 "Quando me'n vo soletta" [Musetta, Marcello, Alcindoro, Mimì] | Giacomo Puccini, James Conlon, Orchestre National De France | E Major | 1 | 12B | 87 BPM | ||
| Suor Angelica: Il principe Gualtiero vostro padre | Giacomo Puccini, Christa Ludwig, Dame Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | E Major | 1 | 12B | 98 BPM | ||
| Messa da Requiem: 2c. Liber scriptus | Giuseppe Verdi, Olga Borodina, Mariinsky Chorus, Mariinsky Orchestra, Valery Gergiev | D Major | 1 | 10B | 76 BPM | ||
| Lucrezia Borgia / Act 1: Maffio Orsini, signora, son io | Gaetano Donizetti, Marilyn Horne, John Bröcheler, Piero de Palma, Graham Clark, Lieuwe Visser, Giacomo Aragall, National Philharmonic Orchestra, Richard Bonynge | F Minor | 4 | 4A | 103 BPM | ||
| Carmen / Act 1: Tu la verras! Eh bien! | Georges Bizet, Katia Ricciarelli, José Carreras, Jean Barney, Danièle Ajoret, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 73 BPM | ||
| Andrea Chénier / Act 1: Il giorno intorno già s'insera lentamente! ... Via, | Umberto Giordano, Montserrat Caballé, Leo Nucci, Astrid Varnay, Kathleen Kuhlmann, National Philharmonic Orchestra, Riccardo Chailly | D Major | 1 | 10B | 79 BPM |