Frank Ricotti's ' "Artifact" was released on its scheduled release date, December 31, 1981. The duration of This song is about 3 minutes long, at 3:03. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 10 out of 14 in Bruton BRL10: Mechanisation by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Artifact is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Artifact by Frank Ricotti is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Penthouse Sweet | Frank Ricotti, Stanley Sulzmann, Tony Hymas | C Major | 1 | 8B | 93 BPM | ||
| Chocolat: Suite | Royal Philharmonic Orchestra | D Minor | 2 | 7A | 106 BPM | ||
| Bek And Zaya's Theme | Marco Beltrami | G Major | 1 | 9B | 66 BPM | ||
| Avatar: I See You | Royal Philharmonic Orchestra | B♭ Minor | 2 | 3A | 136 BPM | ||
| Tintinnabulum | Karl Jenkins, Mike Ratledge, Adiemus, London Philharmonic Orchestra, Jody K. Jenkins, Miriam Stockley, Mary Carewe, Frank Ricotti | C Major | 3 | 8B | 150 BPM | ||
| Mathilde's Theme | Angelo Badalamenti | C Major | 2 | 8B | 64 BPM | ||
| Vibes | Frank Ricotti | A Minor | 3 | 8A | 84 BPM | ||
| The Skies Do Not Fall | B.S.O. Varios | E Minor | 3 | 9A | 83 BPM | ||
| The Illusionist | Philip Glass | G Minor | 2 | 6A | 74 BPM | ||
| Cantus - Song Of The Plains - Edit | Karl Jenkins, Adiemus, Mary Carewe, Pamela Thorby, Miriam Stockley, London Philharmonic Orchestra, Jody K. Jenkins, Frank Ricotti, Mike Ratledge | F Major | 4 | 7B | 80 BPM | ||
| Into the Cave | Antonio Pinto | B Major | 1 | 1B | 80 BPM | ||
| Títulos Finales | Fernando Velázquez | D Major | 2 | 10B | 113 BPM | ||
| Kyrie For The Magdalene | Richard Harvey | C Major | 1 | 8B | 183 BPM | ||
| Finale | Ramin Djawadi | D Major | 6 | 10B | 145 BPM | ||
| Go Get Along Groove | Steve Pearce, John Parricelli, Mitch Dalton, Ian Thomas, Frank Ricotti, David Arch | F Major | 6 | 7B | 112 BPM | ||
| Eastern Promises | Howard Shore, London Philharmonic Orchestra | F Minor | 2 | 4A | 97 BPM | ||
| Cloud Atlas Opening Title | Tom Tykwer, Johnny Klimek, Reinhold Heil, Kristjan Järvi, MDR Leipzig Radio Symphony Orchestra | D Minor | 3 | 7A | 140 BPM | ||
| The Harshest Place on Earth | Alex Wurman | C Major | 1 | 8B | 82 BPM | ||
| A Flight at the Opera | Joe Kraemer | E Minor | 3 | 9A | 141 BPM | ||
| Whiteout | David Arnold | G Major | 8 | 9B | 138 BPM | ||
| Humility and Love | Christopher Young | F Minor | 1 | 4A | 81 BPM | ||
| Conor Despierta / Títulos de Inicio | Fernando Velázquez | B♭ Major | 1 | 6B | 113 BPM | ||
| Cantus Iteratus | Karl Jenkins, Mike Ratledge, Adiemus, London Philharmonic Orchestra, Jody K. Jenkins, Miriam Stockley, Mary Carewe, Frank Ricotti | F Major | 2 | 7B | 75 BPM | ||
| Armstrong: Opening | Craig Armstrong, A.R. Rahman | C Minor | 7 | 5A | 82 BPM | ||
| The Minimoys Overture | Éric Serra | F Major | 1 | 7B | 195 BPM |