Raghunandan Panshikar's ' "Om Namo Arihantanam (18 Times) at 432 Hz" was released on its scheduled release date, February 23, 2018. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 5 in the song's album "Navkar Mahamantra". In this album, this song's track order is #3. Furthermore, we believe that the track originated from India. Based on our statistics, Om Namo Arihantanam (18 Times) at 432 Hz's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Om Namo Arihantanam (18 Times) at 432 Hz by Raghunandan Panshikar having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rup Pahata Lochani | Arun Karekar | E♭ Minor | 6 | 2A | 100 BPM | ||
| Sakha Majha Dnyaneshwar | Vishnubuva Wavanjekar | A♭ Minor | 6 | 1A | 82 BPM | ||
| Vishvacha Janita | Godavaribai Munde | D♭ Major | 7 | 3B | 169 BPM | ||
| Naam Sagun Samarth V-2 | Mandar Apte | G Minor | 4 | 6A | 135 BPM | ||
| Jivant Aahe | Swapnil Bandodkar | E♭ Major | 2 | 5B | 97 BPM | ||
| Powerful Hanuman Mantra | Bhawna Sharma | A Major | 4 | 11B | 95 BPM | ||
| Guru Mantra For Meditation | Sudha Biswas | D Major | 5 | 10B | 120 BPM | ||
| Shiv Raksha Stotram - Female | Dhanashri Deshpande | A Major | 3 | 11B | 80 BPM | ||
| Jai Sheran Waliye Bheint | Vishal Khera | A♭ Major | 8 | 4B | 94 BPM | ||
| Marmabandhatli Thev Hi | Bharat Balvalli | F Major | 5 | 7B | 178 BPM | ||
| Shiva Hara Hey Hara Shiva Hey | Sri Sathya Sai Bhajans | D♭ Minor | 5 | 12A | 145 BPM | ||
| Sri Venkatesha Stotram | Yuga Singun, Sanjay Manickam | F♯ Major | 4 | 2B | 138 BPM | ||
| Sarva Sukhache | Vishnubua Vavnjekar | B♭ Minor | 7 | 3A | 93 BPM | ||
| Prem Vedi Radha | Sakshi Kokate | E♭ Minor | 6 | 2A | 110 BPM | ||
| Ram Ashtakam | Mangesh Borgaonkar | C Minor | 4 | 5A | 80 BPM | ||
| Maa Durga Mantra | Jyoti Vishwakarma | G Minor | 6 | 6A | 110 BPM | ||
| Adhi Mann Ghei Haati | Vishnubua Vavnjekar | F Minor | 7 | 4A | 93 BPM | ||
| Sri Gayatri Stotram | K.S. Surekha | A Minor | 5 | 8A | 151 BPM | ||
| Deva Tujha Me Sonar | Godavaribai Munde | B♭ Minor | 7 | 3A | 120 BPM | ||
| Guru Ko Ang | Kavi Narayan Agrawal, Raghunandan Panshikar | E Major | 4 | 12B | 119 BPM | ||
| Evadha Vel Ka Laavilaa | Vasant Ajgaonkar | D♭ Minor | 5 | 12A | 127 BPM | ||
| Jyaa Sukhakarni | Santosh Redakar | F Minor | 7 | 4A | 100 BPM | ||
| Avgha To Shakun | Kishori Amonkar | A♭ Major | 6 | 4B | 99 BPM | ||
| Aarti Swami Samarthanchi | Savaniee Ravindra | E♭ Major | 4 | 5B | 115 BPM | ||
| Narmadashtak | Priyani-Bhakti | D Major | 4 | 10B | 110 BPM |