David Ake's 'Friday The 13th' had a release date set for September 1, 2005. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Friday The 13th's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in David Ake's "In Between" album is number 4 out of 14. On top of that, United States appears to be the country where this track was created. Based on our statistics, Friday The 13th's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Friday The 13th by David Ake to be Allegro (fast, quick, and bright) because the track has a tempo of 122 BPM, a half-time of 61BPM, and a double-time of 244 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| You Never Say You're Sorry | Martin Landström | A♭ Major | 7 | 4B | 125 BPM | ||
| Deep in a Dream | Dmitry Baevsky, Clovis Nicolas, Jason Brown, Stéphane Belmondo | E Minor | 2 | 9A | 83 BPM | ||
| Over Yonder | Gus Anderson | D Minor | 2 | 7A | 163 BPM | ||
| In The Old Fashioned Way | Mornington | C Major | 2 | 8B | 109 BPM | ||
| All I See In You | Most Iverson | D Major | 1 | 10B | 99 BPM | ||
| Where Do We Go From Here | Benjamin Lackner, Mathias Eick, Jérôme Regard, Manu Katché | E♭ Minor | 2 | 2A | 130 BPM | ||
| Bridges | David Ake | F Major | 1 | 7B | 102 BPM | ||
| Moonlight in Vermont | Joe Farnsworth | F Minor | 2 | 4A | 109 BPM | ||
| Falling In Love With Love | Drew Milner | F Major | 0 | 7B | 67 BPM | ||
| Sweet And Lovely | Nouveau Jazz Trio | F Major | 1 | 7B | 130 BPM | ||
| It Used To Be Us | Lyle Jones | C Major | 1 | 8B | 84 BPM | ||
| Things To Look Forward To | Trio Del Norte | D Major | 3 | 10B | 78 BPM | ||
| Enigmatic Echoes | Turning Trio | F Minor | 3 | 4A | 106 BPM | ||
| Holding Onto Dawn | Novo Stella | F Major | 1 | 7B | 115 BPM | ||
| Den Grønbenede Rørhøne | Tobias Stavngaard, Jakob Sørensen, Aske Drasbæk, Carl-Emil Dons Christensen, William Mannerland, Nikolaj Bangsgaard | F♯ Major | 1 | 2B | 162 BPM | ||
| Sometimes It Snows In April | Julia Hülsmann Quartet | G Minor | 1 | 6A | 97 BPM | ||
| Irridescent Mountains | Felix McCoy Quartet | F Minor | 1 | 4A | 96 BPM | ||
| I'm Glad There Is Us | Archie Taylor | C Major | 1 | 8B | 75 BPM | ||
| Black Narcissus | Charlie Wilder Band | B♭ Minor | 3 | 3A | 77 BPM | ||
| Opaque | Johanna Linnea Jakobsson, Robin Petersson, Anders Fjeldsted, Gustaf Rosenberg, John Fernold | E♭ Minor | 1 | 2A | 116 BPM | ||
| Contemplation | Karl-Martin Almqvist, Carl Winther | F Major | 2 | 7B | 60 BPM | ||
| Home Of My Tomorrow | Clover Post | F♯ Major | 2 | 2B | 53 BPM | ||
| Mysterious Stranger | 6th Street Jazz | E♭ Major | 1 | 5B | 99 BPM | ||
| Options | Eric van der Westen | B♭ Major | 3 | 6B | 98 BPM | ||
| Boats (Exit) | David Ake | F♯ Major | 2 | 2B | 113 BPM |