"Latter Days" by Danny Baranowsky had its release date on September 28, 2011. This song is about six minutes long, preciously at 5:47, making this song fairly long compared to other songs. There are a total of 40 in the song's album "The Binding of Isaac". In this album, this song's track order is #33. Furthermore, we believe that the track originated from Turks and Caicos Islands. Latter Days is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Latter Days by Danny Baranowsky having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Viktor's Workshop Night | Harry Mack | C Minor | 3 | 5A | 130 BPM | ||
| Pure Vessel | Christopher Larkin | C Major | 3 | 8B | 115 BPM | ||
| Journey from a Jar to the Sky (Planetarium) | Mudeth | C Minor | 3 | 5A | 120 BPM | ||
| Innocence Glitched (Basement) | Mudeth | A♭ Major | 7 | 4B | 120 BPM | ||
| Percy's Escape | Darren Korb | A♭ Major | 10 | 4B | 140 BPM | ||
| The Confrontation | Harry Mack | A Minor | 5 | 8A | 165 BPM | ||
| Calling All Units | Starbreeze Entertainment, Simon Viklund | B♭ Minor | 7 | 3A | 138 BPM | ||
| Rogue Legacy Returns | Tettix | D Minor | 9 | 7A | 152 BPM | ||
| Bargain | Lucas Pope | F Major | 1 | 7B | 85 BPM | ||
| Memento Mori (Witness) | Mudeth | D♭ Major | 8 | 3B | 158 BPM | ||
| Disco Descent | Danny Baranowsky | A Minor | 8 | 8A | 115 BPM | ||
| Test | Aperture Science Psychoacoustic Laboratories | B Major | 2 | 1B | 120 BPM | ||
| Walls of Denial (Mausoleum) | Jonathan Evans, Matthias Nicoll Bossi, Ridiculon | F Minor | 9 | 4A | 119 BPM | ||
| Armageddon (Boss Rush) | Jonathan Evans, Matthias Nicoll Bossi, Ridiculon | B Minor | 9 | 10A | 90 BPM | ||
| Meat Golem (Ch 4 Boss) | Danny Baranowsky | G Major | 8 | 9B | 180 BPM | ||
| Storm King | SIE Sound Team | A♭ Major | 5 | 4B | 80 BPM | ||
| The Last Lord | David Fenn | G Major | 7 | 9B | 130 BPM | ||
| False Knight | Christopher Larkin | D Minor | 9 | 7A | 150 BPM | ||
| A Matter of Life and Death | Alexis Laugier | D♭ Major | 4 | 3B | 90 BPM | ||
| Facing the Elite | Clark Aboud | B Major | 2 | 1B | 144 BPM | ||
| Crawling Crypt | Lorne Balfe | E♭ Major | 5 | 5B | 110 BPM | ||
| The Guardian Emerges | Clark Aboud | A♭ Major | 4 | 4B | 150 BPM | ||
| Preservation | Howard Mostrom | E Minor | 5 | 9A | 127 BPM | ||
| Bedside Manner (Hospital Light) | Scattle | D♭ Major | 7 | 3B | 93 BPM | ||
| Lament of the Angel | Danny Baranowsky | D Minor | 2 | 7A | 126 BPM |