"III. Cour d'amours: Circa mea pectora" by Carl Orff, Texas Tech University Choir, Clinton Barrick, Richard Bjella had its release date on November 6, 2012. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in 2012 Texas Music Educators Association (TMEA): Texas Tech University Choir (Mirrored Messages), so we believe that "III. Cour d'amours: Circa mea pectora" is a single. III. Cour d'amours: Circa mea pectora is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of III. Cour d'amours: Circa mea pectora by Carl Orff, Texas Tech University Choir, Clinton Barrick, Richard Bjella is Larghetto (rather broadly), since this song has a tempo of 62 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bizet: Carmen, WD 31, Act 1: "L'amour est un oiseau rebelle" (Carmen, Chorus) | Georges Bizet, Lorin Maazel, Orchestre National De France | D Major | 0 | 10B | 98 BPM | ||
| Symphony no. 5 in Cm, Op. 67 - I. Allegro con brio | Beethoven | C Minor | 2 | 5A | 98 BPM | ||
| Danse macabre, Op. 40 | Camille Saint-Saëns, Royal Stockholm Philharmonic Orchestra, James DePreist | G Minor | 1 | 6A | 102 BPM | ||
| Requiem: Dies Irae - Tuba Mirum | Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi | F Minor | 4 | 4A | 85 BPM | ||
| Acht Stücke für Zwei Violinen | Carl Orff, Sonja Korkeala, Carolin Widmann, Karl Peinkofer, Andreas Schumacher, Markus Zahnhausen, Wilfried Hiller, Martin Ruhland, Godela Orff, Max Frey | A Minor | 0 | 8A | 108 BPM | ||
| Carmina Burana / Fortuna imperatrix mundi: "Fortune plango vulnera" - Live from the Forbidden City | Carl Orff, Wiener Singakademie, Heinz Ferlesch, Shanghai Symphony Orchestra, Long Yu | G Minor | 3 | 6A | 127 BPM | ||
| Messa da Requiem: Confutatis | Giuseppe Verdi, Elena Filipova, Gloria Scalchi, Cesar Hernandez, Carlo Colombara, Hungarian State Opera Chorus, Hungarian State Opera Orchestra, Pier Giorgio Morandi | F♯ Major | 0 | 2B | 81 BPM | ||
| The 4 Seasons: Violin Concerto in F minor, Op. 8, No. 4, RV 297, "L'inverno" (Winter): I. Allegro non molto | Karoly Botvay | F Minor | 1 | 4A | 151 BPM | ||
| Requiem in D minor, KV 626: III. Sequenz: N°6 Lacrimosa | Schola Cantorum Cantate Domino | D Major | 1 | 10B | 85 BPM | ||
| Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
| Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: Fortune plango vulnera | Carl Orff, Michel Plasson, Orfeon Donostiarra, Orchestre National Du Capitole De Toulouse | D Minor | 0 | 7A | 141 BPM | ||
| Humoresque No. 7 in G-flat Major, Op. 101 | Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman | F♯ Major | 1 | 2B | 83 BPM | ||
| Carmina Burana: I. O fortuna | Carl Orff, Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti | D Minor | 3 | 7A | 77 BPM | ||
| Carmina Burana: No. 1, Fortuna Imperatrix Mundi, "O Fortuna" | Carl Orff, Anima Eterna, Collegium Vocale Gent, Cantate Domino, Jos Van Immerseel | D Major | 3 | 10B | 134 BPM | ||
| Swan Lake, Op. 20: Op. 20: Act IV No. 29, Scène Finale | Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | B Major | 4 | 1B | 113 BPM | ||
| Firebird Suite - 1919 Version | Chicago Symphony Orchestra | B Major | 1 | 1B | 80 BPM | ||
| Romeo and Juliet Suite No. 2, Op. 64ter: I. Montagues and Capulets (Live) | Sergei Prokofiev, Riccardo Muti, Chicago Symphony Orchestra | A Minor | 1 | 8A | 93 BPM | ||
| Gnossienne No. 1 | Erik Satie, William Masselos | F Minor | 0 | 4A | 66 BPM | ||
| Die Walküre, Act III: Ride of the Valkyries | Richard Wagner, Budapest Symphony Orchestra, György Lehel | D♭ Major | 1 | 3B | 72 BPM | ||
| A Night On The Bare Mountain | Modest Mussorgsky, Orchestre Symphonique de Montréal, Kent Nagano | D Major | 1 | 10B | 102 BPM | ||
| Schubert: Ave Maria, Op. 52 No. 6, D. 839 | Franz Schubert, Barbara Bonney, Geoffrey Parsons | B♭ Major | 1 | 6B | 176 BPM | ||
| Kilar: The Ninth Gate: Vocalise | Wojciech Kilar, Diana Damrau, David Charles Abell, Royal Liverpool Philharmonic Orchestra | A Minor | 2 | 8A | 175 BPM | ||
| Albinoni: Adagio in G Minor | Tomaso Albinoni, Sir Neville Marriner, Academy of St. Martin in the Fields | C Minor | 1 | 5A | 90 BPM | ||
| Requiem In D Minor, K. 626: Sequence: VI. Lacrimosa Dies Illa | Slovak Philharmonic, Jaroslava Horska, Vladimir Ruso, Peter Mikulas, Stefan Klimo, Slovak Philharmonic Chorus, Jozef Kundlák, Magdaléna Hajóssyová, Wolfgang Amadeus Mozart | D Minor | 1 | 7A | 180 BPM | ||
| Carmina Burana / 1. Primo vere: "Ecce gratum" | Carl Orff, Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti | F Major | 1 | 7B | 138 BPM |