John Abercrombie, Don Thompson's ' "You'd Be So Nice To Come Home To" was released on its scheduled release date, October 11, 1986. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Witchcraft by John Abercrombie, Don Thompson. The song's track number on the album is #8 out of 9 tracks. Based on our data, Canada was the country where this track was produced or recorded. Based on our statistics, You'd Be So Nice To Come Home To's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since You'd Be So Nice To Come Home To by John Abercrombie, Don Thompson has a tempo of 120 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With You'd Be So Nice To Come Home To being at 120 BPM, the half-time would be 60 BPM with a double-time of 240 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hood | Vijay Iyer Trio | B Minor | 3 | 10A | 144 BPM | ||
| It Should've Happened A Long Time Ago | Paul Motian Trio | F♯ Minor | 2 | 11A | 117 BPM | ||
| Memoir | John Abercrombie | D Minor | 0 | 7A | 85 BPM | ||
| The Chapel | Esbjörn Svensson Trio | B♭ Minor | 1 | 3A | 171 BPM | ||
| Vingt-six | Joe Beck, John Abercrombie | A Major | 3 | 11B | 110 BPM | ||
| All Blues | Ron Carter | C Major | 2 | 8B | 116 BPM | ||
| Madcap | Chuck Owen & The Jazz Surge, John Abercrombie | G Major | 6 | 9B | 134 BPM | ||
| Place Like No Home | Gilad Hekselman | A♭ Major | 1 | 4B | 133 BPM | ||
| Fader V (Father World) | Bobo Stenson Trio | E Major | 1 | 12B | 141 BPM | ||
| Ornen | Terje Rypdal | A Minor | 1 | 8A | 158 BPM | ||
| Silver and Solitude | Elliot Crane | B Minor | 0 | 10A | 65 BPM | ||
| The Prodigal Song | Tord Gustavsen Quartet | A Minor | 1 | 8A | 101 BPM | ||
| (Go) Get It | Pat Metheny Trio | G Major | 3 | 9B | 151 BPM | ||
| Nacada | Gary Burton Quartet, Eberhard Weber | D Major | 0 | 10B | 66 BPM | ||
| Freeway Ballet (Live) | Marek Dykta, John Abercrombie | B♭ Minor | 1 | 3A | 75 BPM | ||
| Comba N.3 | Kenny Wheeler, John Abercrombie, John Parricelli, Anders Jormin | A♭ Major | 1 | 4B | 104 BPM | ||
| Heroines | Jakob Bro, Thomas Morgan, Joey Baron | E♭ Major | 1 | 5B | 113 BPM | ||
| Paramour | John Abercrombie | D Major | 1 | 10B | 71 BPM | ||
| Healing Power | Carla Bley | F♯ Minor | 4 | 11A | 81 BPM | ||
| Paul Motian (1) | Anat Fort Trio | G Major | 1 | 9B | 81 BPM | ||
| Staying There | Tord Gustavsen Quartet | F Minor | 2 | 4A | 130 BPM | ||
| Clouds Moving | Anat Fort Trio | C Major | 4 | 8B | 152 BPM | ||
| Gio | Markus Stockhausen, Ferenc Snétberger, Arild Anderson | A Minor | 2 | 8A | 83 BPM | ||
| Argentyna | Tomasz Stańko | D Major | 1 | 10B | 89 BPM | ||
| She Never Has A Window | Peter Erskine, Palle Danielsson, John Taylor | F Major | 1 | 7B | 133 BPM |