Beyond All Recognition's 'To Be A Part Of The End' had a release date set for May 28, 2010. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 5 in the song's album "To Be A Part Of The End". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Sweden. In terms of popularity, To Be A Part Of The End is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With To Be A Part Of The End by Beyond All Recognition having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Missed Me? | Aliens ate my Setlist | E♭ Major | 10 | 5B | 110 BPM | ||
| Call To The Warrior | Affiance | G Major | 10 | 9B | 142 BPM | ||
| Hawaiian Killer | Skip The Foreplay | F♯ Major | 10 | 2B | 130 BPM | ||
| Bedtime Prayers | Blinded Colony | G Major | 9 | 9B | 109 BPM | ||
| Dream Eater | Separations | B Minor | 10 | 10A | 130 BPM | ||
| Lamnidae | This Or The Apocalypse | G Major | 10 | 9B | 110 BPM | ||
| Now They See Me Now You Don't | Above This | A♭ Major | 9 | 4B | 145 BPM | ||
| Martyrs - Bass Play-Along Version | Beyond All Recognition | D Major | 10 | 10B | 125 BPM | ||
| DJ | Skip The Foreplay | F♯ Major | 10 | 2B | 170 BPM | ||
| Oxy Sunrise | Capture | F♯ Major | 10 | 2B | 132 BPM | ||
| The Movement | Forget Tomorrow | F Minor | 10 | 4A | 160 BPM | ||
| Splintered | Buried In Verona | D Major | 10 | 10B | 151 BPM | ||
| Ten Thousand Feet | I See Stars | F♯ Major | 10 | 2B | 140 BPM | ||
| Judgement | Upon A Burning Body | B♭ Major | 10 | 6B | 155 BPM | ||
| A Party on Your Mother's Grave | Shoot the Girl First | D♭ Major | 10 | 3B | 132 BPM | ||
| Deceiving Lights | Ready, Set, Fall! | B Minor | 10 | 10A | 135 BPM | ||
| The Revolution | Attack Attack! | A♭ Major | 10 | 4B | 200 BPM | ||
| Nev[er]ase | Forgetting The Memories | B Minor | 10 | 10A | 200 BPM | ||
| American Terrorist | Deception Of A Ghost | F Major | 10 | 7B | 151 BPM | ||
| Posthumous | Concepts | F Minor | 10 | 4A | 145 BPM | ||
| Belial | Seraphim | D Major | 10 | 10B | 75 BPM | ||
| Terrorist | Feed Her to the Sharks | D♭ Minor | 9 | 12A | 150 BPM | ||
| Bruised & Broken | I The Breather | D Minor | 9 | 7A | 160 BPM | ||
| Scheme Artist (feat. Caleb Shomo) | Sylar | F Minor | 10 | 4A | 150 BPM | ||
| Wildmind | The Royal | B Minor | 10 | 10A | 106 BPM |