Bhakta Raj Acharya's ' "Jau Kaha Ma" was released on its scheduled release date, July 14, 1993. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 11 in the song's album "Samarpan-2". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Norway. Based on our statistics, Jau Kaha Ma's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Jau Kaha Ma by Bhakta Raj Acharya having a BPM of 149 with a half-time of 74 BPM and a double-time of 298 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dueta Phul Deuralima | Narayan Gopal | D♭ Major | 3 | 3B | 64 BPM | ||
| Maya Meri | Bhakta Raj Acharya, Satyaraj Acharya | B Major | 5 | 1B | 133 BPM | ||
| Ami Tai Abhiman Kori | Dhananjay Bhattacharya | G Major | 5 | 9B | 80 BPM | ||
| E Nadi Emon Nadi | Manna Dey | E♭ Major | 3 | 5B | 114 BPM | ||
| Jago He Nagar Basi | Amar Pal | C Major | 3 | 8B | 116 BPM | ||
| Bichhodko Pida | Dilmaya Khati, Narayan Gopal | F Major | 5 | 7B | 74 BPM | ||
| Tumi Sandhyar Meghmala | Chinmoy Chatterjee | E Minor | 1 | 9A | 135 BPM | ||
| Ugi Ugi Re Two | Asha Bhosle | B♭ Minor | 3 | 3A | 169 BPM | ||
| Risaundani Aaphnai | Ram Krishna Dhakal | A♭ Minor | 8 | 1A | 123 BPM | ||
| Chhinini Chakki Chakki | Deepa jha, Bharati Ghimire, Kumar Shah, Indrajeet | D Major | 6 | 10B | 146 BPM | ||
| Shiv Pita ko ab yaad karo | Brahma Kumaris | E Major | 5 | 12B | 142 BPM | ||
| Chorideu Chorideu | Udit Narayan, Kavita Krishnamurthy | C Minor | 4 | 5A | 97 BPM | ||
| Tumi Sundor Tai Cheye Thaki | Satinath Mukherjee | D♭ Minor | 2 | 12A | 87 BPM | ||
| Hanuman Chalisa in Raag Jaunpuri | Sudeepto Chakraborty | A Minor | 4 | 8A | 121 BPM | ||
| Jai Jai Ganapayya | Parupalli Ranganath | A♭ Minor | 6 | 1A | 80 BPM | ||
| Maar Jharu Maar | Sabita Chowdhury, Anup Ghoshal, Salil Chowdhury | C Major | 6 | 8B | 112 BPM | ||
| Uchatano Mon Gharey Roi Na | Mohammed Rafi | D♭ Major | 4 | 3B | 129 BPM | ||
| Jhalar Baje | BAPS Swaminarayan Sansth | B Major | 6 | 1B | 135 BPM | ||
| Gara Rakshya Sabko | Fatteman Rajbhandari, Gyanu Rana, Ananda Karki, Ratna Man Shrestha | F Major | 7 | 7B | 120 BPM | ||
| Kato Je Tumi Monohar | Chinmoy Chatterjee | F♯ Major | 4 | 2B | 164 BPM | ||
| Tomar Oi Ashontole | Mahesh Ranjan Shome | D Major | 5 | 10B | 133 BPM | ||
| Jawaniya Ke Din Dui Char Rasiya | Hansa Dave, Kalyanji-Anandji | E♭ Major | 6 | 5B | 100 BPM | ||
| Mero Joban Laijau | Gopal Yonjan, Narayan Gopal, Meera Rana | C Major | 4 | 8B | 120 BPM | ||
| Galana Gangaki | Narada Disasekara, Nanda Malini | A♭ Major | 6 | 4B | 128 BPM | ||
| Manchheko Maya | Narayan Gopal, Gyanu Rana | D♭ Minor | 3 | 12A | 81 BPM |