Brian Owens's 'Till Morning Breaks' had a release date set for September 18, 2012. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Brian Owens's "Moods & Messages" album is number 6 out of 7. On top of that, United States appears to be the country where this track was created. Based on our statistics, Till Morning Breaks's popularity is below average in popularity right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Till Morning Breaks by Brian Owens to be Allegro (fast, quick, and bright) because the track has a tempo of 134 BPM, a half-time of 67BPM, and a double-time of 268 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hold Me ‘Til I Heal | Blues Man | D Minor | 2 | 7A | 144 BPM | ||
| I Can Feel Your Pain | Robert Finley | F Major | 5 | 7B | 75 BPM | ||
| Mercy Mercy Me (The Ecology) | Brian Owens | A♭ Minor | 6 | 1A | 96 BPM | ||
| I Feel A Sin Coming On | Shemekia Copeland | E♭ Major | 5 | 5B | 122 BPM | ||
| Last Goodbye | Jonny Lang | F♯ Major | 2 | 2B | 135 BPM | ||
| No One Left to Guide Me | Sons of Ashes | A♭ Major | 2 | 4B | 163 BPM | ||
| Johnnie Ray | Ana Popovic | B Minor | 5 | 10A | 155 BPM | ||
| Oh, Dear Love | Royal Blue Notes | A Minor | 5 | 8A | 82 BPM | ||
| Show Me Love | Stef Rosen | G Major | 4 | 9B | 152 BPM | ||
| I'm Tired of These Blues | Mighty Sam McClain | C Minor | 2 | 5A | 123 BPM | ||
| Love in the Lead | Ivan Hartle | G Major | 3 | 9B | 114 BPM | ||
| Dream On (1950s Jazz) | Jazztified | F Minor | 4 | 4A | 169 BPM | ||
| Can’t Cage My Soul | Daxlin Veylo | A Minor | 3 | 8A | 120 BPM | ||
| Kiss Of Death | Tinsley Ellis | E Minor | 3 | 9A | 126 BPM | ||
| Fading Echo | Lana Rosewood | C Major | 3 | 8B | 81 BPM | ||
| Spring Birds | Sohan Wilson, Brian Owens | B♭ Major | 8 | 6B | 133 BPM | ||
| Try A Little Tenderness | Brian Owens, Thomas Owens | A Major | 4 | 11B | 128 BPM | ||
| Favored High | Brian Owens | G Minor | 6 | 6A | 162 BPM | ||
| Distant Lover - Japan Bonus Track | Brian Owens | E Major | 4 | 12B | 137 BPM | ||
| Not For Me | Sterlin Knox | D Minor | 5 | 7A | 90 BPM | ||
| You've Heard It Said Pt. 1 | Brian Owens | D Minor | 6 | 7A | 99 BPM | ||
| Make It with You | Robert Finley | A Major | 3 | 11B | 125 BPM | ||
| Because? | Mississippi Blues 58 | G Minor | 3 | 6A | 172 BPM | ||
| Love Fantasy | Lighters | C Major | 3 | 8B | 81 BPM | ||
| Keep Grinding (feat. Brian Owens) | Thi'sl, Brian Owens | E Minor | 8 | 9A | 88 BPM |