Don Abney, Jimmy Raney, Oscar Pettiford, Kenny Clarke's ' "Too Marvelous for Words" was released on its scheduled release date, May 9, 1951. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Don Abney, Jimmy Raney, Oscar Pettiford's "Music Minus One, Vol. 2: A Rhythm Background Record for Any Musician or Vocalist" album is number 6 out of 8. On top of that, Portugal appears to be the country where this track was created. Based on our statistics, Too Marvelous for Words's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Too Marvelous for Words by Don Abney, Jimmy Raney, Oscar Pettiford, Kenny Clarke to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Notes We Never Touched | Noiracle | E♭ Minor | 1 | 2A | 113 BPM | ||
| Curtains and Brushes, Pt. X | Lazy Morning Jazz | C Minor | 1 | 5A | 85 BPM | ||
| Without A Song | Peter Beets, Larry Grenadier, Willie Jones III | A Major | 1 | 11B | 105 BPM | ||
| Her Perfume | Rafael Monteiro | F Major | 4 | 7B | 105 BPM | ||
| Golden Glow Groove | Dolce Vita | F Major | 3 | 7B | 128 BPM | ||
| Walnut Mirror | Cubalibre Jazz | C Minor | 0 | 5A | 80 BPM | ||
| Velvet Paradox | Numa Field | C Major | 2 | 8B | 74 BPM | ||
| Pine Echoes | Saxton Groovefield | F Major | 0 | 7B | 90 BPM | ||
| Penthouse Slow Night | Penthouse Bar Jazz | F Minor | 1 | 4A | 88 BPM | ||
| Quiet Roads | Lucian Hart | G Major | 0 | 9B | 99 BPM | ||
| Ventoria | Blue Rectangles | A Minor | 1 | 8A | 89 BPM | ||
| Ah! the Pain | Aaron Sachs | F Major | 3 | 7B | 76 BPM | ||
| Edges of Nature, Pt. V | Collebot | C Minor | 1 | 5A | 113 BPM | ||
| Silver Dust | Miles Evergreen | A Minor | 0 | 8A | 46 BPM | ||
| Fern Pulse | Avery David | A♭ Major | 0 | 4B | 55 BPM | ||
| Edges of Nature, Pt. XIII | Collebot | F Minor | 3 | 4A | 125 BPM | ||
| ユーモレスク | Easy Camel Trio | C Major | 4 | 8B | 152 BPM | ||
| Sunflutter | Ocean Big G | G Major | 5 | 9B | 128 BPM | ||
| Coastline Fireplace | Cubalibre Jazz | C Minor | 0 | 5A | 76 BPM | ||
| Aluminum Light | Modanova | C Major | 1 | 8B | 185 BPM | ||
| Silver Umbrella | Coffee Serenade | D Minor | 2 | 7A | 130 BPM | ||
| Dust on the Sound | Selva Lune | D Minor | 1 | 7A | 82 BPM | ||
| Crimson Courtyard | Microgroove | C Minor | 5 | 5A | 101 BPM | ||
| Gentle Rain | Strings Jazzsmith | D Minor | 0 | 7A | 67 BPM | ||
| If I Had You | Ray Gallon, Ron Carter, Lewis Nash | F Minor | 2 | 4A | 119 BPM |