Counter-Measures, Matt Fitton, James Good, Mark Wright, Cavan Scott, John Dorney, Simon Williams, Pamela Salem, Karen Gledhill, Hugh Ross's 'Peshka, Track 2' had a release date set for June 1, 2013. The duration of This song is about 3 minutes long, at 3:00. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 110 in the song's album "Series 2 (Unabridged)". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Germany. In terms of popularity, Peshka, Track 2 is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Peshka, Track 2 by Counter-Measures, Matt Fitton, James Good, Mark Wright, Cavan Scott, John Dorney, Simon Williams, Pamela Salem, Karen Gledhill, Hugh Ross having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| When we pray | Gurlt | D Minor | 1 | 7A | 101 BPM | ||
| Last One | Dan conza | D Major | 3 | 10B | 125 BPM | ||
| Track 11 - Sword of Orion, Part 1 | Doctor Who, Nicholas Briggs, Paul McGann, India Fisher | D♭ Major | 4 | 3B | 79 BPM | ||
| Come My Side | Dondizzy | D♭ Major | 3 | 3B | 105 BPM | ||
| Fast Money Fades | Miraja | B Minor | 0 | 10A | 98 BPM | ||
| Slaughterhouse 5, Pt. 10 | Kurt Vonnegut | F Major | 1 | 7B | 87 BPM | ||
| Mildred Monday's Roof | Phone Losers of America | A♭ Major | 4 | 4B | 127 BPM | ||
| The Man In The Mirror | Busta Dogo | F Minor | 4 | 4A | 92 BPM | ||
| Track 34 - Threshold | Counter-Measures, Paul Finch, Matt Fitton, Ian Potter, Justin Richards, Simon Williams, Pamela Salem, Karen Gledhill, Hugh Ross | D Major | 7 | 10B | 60 BPM | ||
| My love | Young boss, Wizkid b | D♭ Major | 1 | 3B | 80 BPM | ||
| The Parting of the Red Sea | Riley Weber | C Major | 5 | 8B | 166 BPM | ||
| 4 Terrifying True Night Drive Horror, Pt. 2 | Mr. Nightmare | D♭ Major | 3 | 3B | 124 BPM | ||
| Giant Cockroaches | Chris Barrie | B♭ Minor | 0 | 3A | 82 BPM | ||
| Obbli-Obbli | Children's Bedtime Stories | D♭ Major | 3 | 3B | 134 BPM | ||
| Staffel 1, Folge 6 - Teil 26 | VIDAN | F Major | 6 | 7B | 131 BPM | ||
| Game Heads | Chris Barrie | A♭ Major | 3 | 4B | 110 BPM | ||
| Canciones Del Alma | Yvandel | B♭ Minor | 4 | 3A | 115 BPM | ||
| On my own(Intro) | RaysVocals | F Major | 4 | 7B | 123 BPM | ||
| The Snowman | Wallace Stevens | A♭ Major | 2 | 4B | 80 BPM | ||
| Embrace Challenges for Real Growth | Eckhart Tolle | D♭ Minor | 2 | 12A | 77 BPM | ||
| Voicemails with Backstories, Vol. 2, Pt. 2 | Mr. Nightmare | F♯ Minor | 3 | 11A | 85 BPM | ||
| Chapter 04: The Love Herb | Bibi and Tina | D♭ Major | 3 | 3B | 92 BPM | ||
| Stop It | taytaytoday | D♭ Major | 7 | 3B | 68 BPM | ||
| The Corruption of Mankind | Bible Dreaming | A♭ Major | 5 | 4B | 114 BPM | ||
| The Case of the Baby-Baby and the Evil Glucksey, Pt. 2 | Sean William, Gordon C. Gauthier, Scott Hull | C Major | 2 | 8B | 83 BPM |