"How Can I Keep from Singing!" by Sarah Quartel, Ensemble Laude had its release date on May 7, 2024. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Vox Femina by Ensemble Laude. The song's track number on the album is #9 out of 15 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, How Can I Keep from Singing! is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since How Can I Keep from Singing! by Sarah Quartel, Ensemble Laude has a tempo of 94 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With How Can I Keep from Singing! being at 94 BPM, the half-time would be 47 BPM with a double-time of 188 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Transfigurations: IV. Iphis | Christopher Tin, Kantorei, Alicia Rigsby, Dylan Tyree, David Short, Nicholas Recuber, Remy Le Boeuf | B Major | 1 | 1B | 138 BPM | ||
| Sing Gently | Eric Whitacre, Adrian Kirtley, 2021 Chamber, Timber Creek HS Chamber | B Major | 1 | 1B | 77 BPM | ||
| Ps 104 | NWU PUK-CHOIR | F♯ Major | 2 | 2B | 118 BPM | ||
| Considering Matthew Shepard, Passion: No. 29, Pilgrimage | Craig Hella Johnson, Lesléa Newman, Conspirare | A Major | 0 | 11B | 96 BPM | ||
| There Is No Rose | Kevin Siegfried, The Byrd Ensemble, Markdavin Obenza | D Major | 1 | 10B | 69 BPM | ||
| The Darkness Is No Darkness | Judith Bingham, Hannah Holgersson, Sofia Vokalensemble, Bengt Ollen | F Major | 1 | 7B | 85 BPM | ||
| Alma redemptoris mater | Giovanni Pierluigi da Palestrina, Voices of Ascension Chorus, Dennis Keene | E♭ Major | 0 | 5B | 64 BPM | ||
| The Lord is My Shepherd | Ben Burkholder, Cantate Domino, Seth Bergey | B Major | 1 | 1B | 67 BPM | ||
| Preisung CXLVIII | Sjaella | A Minor | 1 | 8A | 137 BPM | ||
| The Eyes of All Wait Upon Thee | Jean Berger, Syracuse University Singers, John Warren | E Minor | 1 | 9A | 75 BPM | ||
| Laudate Dominum | Levente Gyöngyösi, Psalm 148, Iowa State Singers | G Major | 1 | 9B | 86 BPM | ||
| Holy Spirit Mass: The Spirit's Work: Come | Kim André Arnesen, Mona Spigseth, Trondheim Vokalensemble, TrondheimSolistene, Sofi Jeannin | F Minor | 1 | 4A | 127 BPM | ||
| The Lord's My Shepherd SHZ 371b | Laestadian Lutheran Church, Laurel Loukusa, Liisa Keranen, Aamos Anderson, Aabel Anderson | F Major | 2 | 7B | 74 BPM | ||
| Quando corpus morietur | Kim André Arnesen, Haderslev Domkirkes Pigekor, Sønderjyllands Symfoniorkester, Thomas Berg-Juul | B Minor | 0 | 10A | 173 BPM | ||
| St. John Passion, Part I: Sing, My Tongue, the Glorious Battle | Bob Chilcott, Laurie Ashworth, Ed Lyon, Darren Jeffrey, Neal Davies, Nick Baron, Chaconne Brass, Wells Cathedral Choir, Matthew Owens | C Minor | 4 | 5A | 163 BPM | ||
| Child of Song | Kim André Arnesen, Beryl Fanslow, Kantorei, Joel Rinsema | C Major | 1 | 8B | 71 BPM | ||
| Officium Divinum, Midday Prayer: No. 6, The Real Presence | Margaret Rizza, Convivium Singers, David Price, Dominika Fehér, Richard Phillips, Eamonn Dougan | A♭ Major | 0 | 4B | 71 BPM | ||
| Snow Angel: II. Creatures of Light | Sarah Quartel, Benenden Chapel Choir, David Bednall, Edward Whiting, Rebecca McNaught | F Major | 0 | 7B | 94 BPM | ||
| Hold On! | Stacey V. Gibbs | F♯ Minor | 5 | 11A | 131 BPM | ||
| I remember - Upper Voices | Sarah Quartel, The Oxford Choir | C Major | 0 | 8B | 87 BPM | ||
| Emily — No Prisoner Be: No. 25, If I can stop one Heart from breaking (on Praetorius "Lo, How a Rose E'er Blooming") | Kevin Puts, Time For Three, Joyce DiDonato | F♯ Major | 2 | 2B | 118 BPM | ||
| For Dappled Things | John Casken, Joyful Company Of Singers, Peter Broadbent | F♯ Major | 2 | 2B | 118 BPM | ||
| O Radiant Dawn | James MacMillan, Apollo5 | C Minor | 1 | 5A | 135 BPM | ||
| The Last Words of David | Randall Thompson, Atlanta Master Chorale | G Major | 0 | 9B | 94 BPM | ||
| The Benediction | Laestadian Lutheran Church, Viena Kontkanen | E Major | 1 | 12B | 87 BPM |