Falguni Pathak's ' "Madhmithu Naam Dandiya Version" was released on its scheduled release date, October 14, 2020. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in Madhmithu Naam Dandiya Version and no other songs are present in the album, we classify this track as a single. On top of that, India appears to be the country where this track was created. Based on our statistics, Madhmithu Naam Dandiya Version's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Madhmithu Naam Dandiya Version by Falguni Pathak to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mor Bani & Kasumbi No Rang | Meghdhanush | B♭ Major | 7 | 6B | 174 BPM | ||
| Ma Tame Podhya Hoy to Jago Re Ma Tara Vadhamana Re | Khushbu Panchal | F Minor | 9 | 4A | 72 BPM | ||
| Thali Bhar Ke Layai Khichdo | Seema Mishra | A Minor | 5 | 8A | 79 BPM | ||
| Pili Matudi Laviya Re Kai | Bhoomi Trivedi | F♯ Major | 8 | 2B | 145 BPM | ||
| Khamma Khodal | Kinjal Dave | A Major | 10 | 11B | 125 BPM | ||
| Chowk Sajavo Re Sakhi | Pamela Jain, Kirtidan Gadhvi | G Minor | 5 | 6A | 180 BPM | ||
| Arasur Vadi Amba Mari Mavadi | Falguni Pathak | B♭ Minor | 8 | 3A | 142 BPM | ||
| Lumbe Zumbe | Atul Purohit, Himali, Smita Shah | F♯ Major | 5 | 2B | 100 BPM | ||
| Khamma | Kedar Upadhyay, Kedar - Bhargav | B Major | 3 | 1B | 91 BPM | ||
| Mari Mata No Number | Geeta Rabari | A♭ Major | 10 | 4B | 119 BPM | ||
| Khati Mithi Vangi - DJ EDM Remix | Vinod Rathod | G Major | 10 | 9B | 131 BPM | ||
| Krishna Bhagwan Halya Dwarkane | Aishwarya Majmudar | A♭ Minor | 9 | 1A | 140 BPM | ||
| Vhalmni Vat | Atul Purohit, Himali, Smita Shah | F♯ Major | 4 | 2B | 80 BPM | ||
| Khodal Karvane Khamkar | Geeta Rabari, Maulik Mehta | A♭ Major | 10 | 4B | 140 BPM | ||
| Koi Na Hatu Tyare Mari | Falguni Pathak | F Major | 8 | 7B | 190 BPM | ||
| Rang Jhoom | Dimple Biscuitwala | F♯ Minor | 7 | 11A | 94 BPM | ||
| He Maro Saybo | Atul Purohit | E Major | 5 | 12B | 92 BPM | ||
| Dholida Dhhol | Appu, Suchita Vaz, Nila | F Minor | 9 | 4A | 150 BPM | ||
| Khodal Aavo To Ramiae | Kirtidan Ghadhavi | D♭ Minor | 10 | 12A | 183 BPM | ||
| Tara Vina Shyam | Atul Purohit | F♯ Major | 3 | 2B | 132 BPM | ||
| Khodiyar Maa | Priyanka Kher | B♭ Minor | 9 | 3A | 138 BPM | ||
| Jalkamal Chandi Ja Ne | Damyanti Bardai, Dipali Somaiya, Chetan Gadhavi | F Major | 5 | 7B | 100 BPM | ||
| Maar To Mele | Ishani Dave | C Major | 8 | 8B | 105 BPM | ||
| Vraj Raas | Nandlal Chhanga, Rajesh Ahir | E Major | 4 | 12B | 129 BPM | ||
| Jai Jagdambe Ambe Maa | Kishore Manraja | C Major | 7 | 8B | 51 BPM |