Off Course's ' "もっと近くに -as close as possible-" was released on its scheduled release date, 1987. This song is about six minutes long, preciously at 5:34, making this song fairly long compared to other songs. The song is number 1 out of 10 in as close as possible by Off Course. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. The popularity of もっと近くに -as close as possible- is currently below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of もっと近くに -as close as possible- by Off Course is Vivace (lively and fast), since this song has a tempo of 160 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 素直なままで恋をしようよ | Tokyo Q Channel | F Major | 7 | 7B | 126 BPM | ||
| ヤマトナデシコ七変化 | Kyoko Koizumi | E Minor | 9 | 9A | 133 BPM | ||
| 灼けた夏 | Takao Kisugi | D Major | 7 | 10B | 94 BPM | ||
| ラブ・イズ・Cash | REBECCA | E Major | 9 | 12B | 135 BPM | ||
| ミストラル~季節風~ | Takako Okamura | A Major | 8 | 11B | 111 BPM | ||
| Key Station | Masamichi Sugi | F♯ Minor | 7 | 11A | 110 BPM | ||
| ダシール・ハメット&ポップコーン | Sadistic Mika Band | C Major | 7 | 8B | 120 BPM | ||
| 飛べない翼 | Sing Like Talking | F♯ Minor | 8 | 11A | 79 BPM | ||
| そして僕は途方に暮れる (1992 "naive″version) | Yoshiyuki Osawa | C Major | 7 | 8B | 120 BPM | ||
| 風に乗って | Hiroko Yakushimaru | E Major | 6 | 12B | 99 BPM | ||
| HALF MOON | Yumi Tanimura | C Major | 8 | 8B | 152 BPM | ||
| 君は悲しみの | Iruka | D♭ Minor | 3 | 12A | 78 BPM | ||
| 逢いたくなった時に 君はここにいない | サザンオールスターズ | D Major | 7 | 10B | 97 BPM | ||
| マラソン恋女(ウーマン) | Kumiko Yamashita | D Major | 7 | 10B | 174 BPM | ||
| 昨日 見た夢 | Off Course | A Minor | 7 | 8A | 115 BPM | ||
| My Serenade | Eri Hiramatsu | C Major | 8 | 8B | 100 BPM | ||
| 青い瞳のステラ、1962年夏・・・ | George Yanagi | B♭ Major | 5 | 6B | 70 BPM | ||
| バカンスはいつも雨 | Masamichi Sugi | C Major | 8 | 8B | 129 BPM | ||
| if | CHAGE and ASKA | A Major | 5 | 11B | 132 BPM | ||
| 19 GROWING UP -ode to my buddy- | PRINCESS PRINCESS | F♯ Major | 9 | 2B | 132 BPM | ||
| GO AWAY BOY | PRINCESS PRINCESS | F♯ Major | 9 | 2B | 146 BPM | ||
| Catch Your Way | Masamichi Sugi | E Major | 8 | 12B | 126 BPM | ||
| 夏の終りのハーモニー | Yosui Inoue, Anzen Chitai | E Major | 6 | 12B | 78 BPM | ||
| 愛し過ぎてこわい | KIX・S | D Major | 7 | 10B | 150 BPM | ||
| KEEP ON LOVIN' YOU | PRINCESS PRINCESS | A Major | 6 | 11B | 118 BPM |